Movie Reviews by Mauro_Lanari - Page 13 of 34

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Review of The Dry (2021)

By Mauro_Lanari (665) on 03 Mar 2022

(Mauro Lanari) Sorrowful, sober, poignant, whispered: once the great cinema and the best art followed these aesthetic principles today instead…

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Review of My Salinger Year (2020)

By Mauro_Lanari (665) on 23 Feb 2022

(Mauro Lanari) The Guardian's celebrated Peter Bradshaw is one of the many critics who panned the movie calling it derivative, a simperingly…

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Review of The King's Man (2021)

By Mauro_Lanari (665) on 22 Feb 2022

(Mauro Lanari) My first insufficiency to the saga, inevitable when the film is an uninterrupted mash-up of characters and scenes already seen…

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Review of Cowboys (2020)

By Mauro_Lanari (665) on 19 Feb 2022

(Mauro Lanari) The initial impact is deceptive: the Brokeback Mountain prequel…

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Review of I Want You Back (2022)

By Mauro_Lanari (665) on 18 Feb 2022

(Mauro Lanari) Do not overestimate us adults, since as one gets older does not become more mature nor does increase the ability to understand…

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Review of The Sky Is Everywhere (2022)

By Mauro_Lanari (665) on 17 Feb 2022

(Mauro Lanari) Probably the worst coming-of-age story I've ever come across: Lennie, a 16-year-old clarinetist, is tossed between the polarized…

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Review of The Eyes of Tammy Faye (2021)

By Mauro_Lanari (665) on 16 Feb 2022

(Mauro Lanari) Götterdämmerung (Twilight of the Gods, Wagner, 1876), God is dead (Nietzsche, The Gay Science, 1882, Section 125)…

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Review of The Tinder Swindler (2022)

By Mauro_Lanari (665) on 12 Feb 2022

(Mauro Lanari) A particularly effective Ponzi scheme with anyone who has been bewitched by Disneyworld: it's unsurprising, unrelated to Tinder…

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Review of Last Man Down (2021)

By Mauro_Lanari (665) on 12 Feb 2022

(Mauro Lanari) Is it an action movie below the amateur level in every single technical sector and embellished with phrases taken from Sun Tzu…

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Review of Modern Persuasion (2020)

By Mauro_Lanari (665) on 12 Feb 2022

(Mauro Lanari) Even Jane Austin's latest novel, if it is not cinematically adapted and updated by someone with Hornby's abilities, does not…

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Review of Blue Bayou (2021)

By Mauro_Lanari (665) on 05 Feb 2022

(Mauro Lanari) The end does not justify the means and Justin Chon, in his fourth film as director and here also screenwriter and main interpreter,…

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Review of Finding You (2021)

By Mauro_Lanari (665) on 05 Feb 2022

(Mauro Lanari) Scraping the barrel of stories for Teen / Young Adult, you come across works that are less and less plausible and convincing…

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Review of Hala (2019)

By Mauro_Lanari (665) on 03 Feb 2022

(Mauro Lanari) To the adolescent identity crisis the film adds marital, intergenerational, interethnic tensions and an Elettra complex, going…

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Review of CODA (2021)

By Mauro_Lanari (665) on 02 Feb 2022

(Mauro Lanari) Effective tearjerking remake programmatically modified for the US public with its questionable value system…

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Review of Coda (2021)

By Mauro_Lanari (665) on 02 Feb 2022

(Mauro Lanari) Effective tearjerking remake programmatically modified for the US public with its questionable value system…

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Review of Raging Fire (2021)

By Mauro_Lanari (665) on 01 Feb 2022

(Mauro Lanari) A wannabe Michael Mann, but the Honk Kong action movie has become predictable, repetitive, barters the characteral thickness…

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Review of Quo Vadis, Aida? (2021)

By Mauro_Lanari (665) on 01 Feb 2022

(Mauro Lanari) A Sarajevo sniper lets himself be interviewed in an almost dark room. It seems incredible to me: she is a woman…

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Review of King Richard (2021)

By Mauro_Lanari (665) on 30 Jan 2022

(Mauro Lanari) What purpose does it propose, to be a hagiographic example and a motivational incentive for African Americans or to insult those…

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Review of My Son (2021)

By Mauro_Lanari (665) on 26 Jan 2022

(Mauro Lanari) Taken with the script written on a coriander. Nothing else to add…

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Review of My Son (2021)

By Mauro_Lanari (665) on 26 Jan 2022

(Mauro Lanari) Taken with the script written on a coriander. Nothing else to add…

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