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Last updated: 19 Jun 2026 at 10:45 UTC

Movie Reviews by Leah Greenblatt - Page 9 of 37

161-180 of 734 Reviews

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Review of Dune (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Sep 2021

The sheer awesomeness of Villeneuve's execution — there might not be another film this year, or ever, that turns one character asking another…

Review of Together (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Sep 2021

Even within the stagy confines of the movie's Scenes From a Marriage setup, Horgan and McAvoy manage to tease out the more subtle and enduring…

Review of The Night House (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Aug 2021

Though the bag of tricks that Bruckner (V/H/S, The Ritual) digs through — the jump scares and shadow figures, the eerily suspended rules…

Review of Candyman (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Aug 2021

Who can take a reboot, sprinkle it with something new, cover it with blood and bumblebees and a pointed social commentary or two…

Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Aug 2021

They'd be crazy not to give Meng'er Zhang, as Shang-Chi's ferociously watchable sister Xialing, her own spin-off, and Awkwafina, who spends…

Review of Reminiscence (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Aug 2021

Writer-director Lisa Joy (Westworld) seems to be aiming for an Inception-style metaphysical mind-bend, with the sci-fi jolt of Minority Report…

Review of Val (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Aug 2021

The result is undoubtedly a canny mediation on the vagaries of fame, but it feels more intimate and essential than that: a lifetime of searching…

Review of Val (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Aug 2021

The result is undoubtedly a canny mediation on the vagaries of fame, but it feels more intimate and essential than that: a lifetime of searching…

Review of Free Guy (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Aug 2021

In a genre where winky self-awareness has become standard-issue, Free might have come off as manic and hollow; instead, it has fun having a heart…

Review of The Green Knight (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 29 Jul 2021

In a way, the movie feels almost like Marvel antimatter, an auteur's willful response to whiz-bang emptiness and Infinity Stones…

Review of The Suicide Squad (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Jul 2021

The script, accordingly, herks and jerks along with a sort of forced-festive glee, its mounting body count buffeted by goofball banter and…

Review of Old (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jul 2021

Old comes close to seeing its metaphysical mystery through…

Review of Annette (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jul 2021

Is Annette a farce, a metaphor, a noir meditation on fame? Only God and maybe the Maels know for sure…

Review of Black Widow (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Jun 2021

If Widow, with its winky one-liners and spandexed catsuits, is purely pop feminism, the movie's female gaze still reads like more than a cynical…

Review of Luca (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Jun 2021

The story's bright swirl of Pixar pixie dust, jangle soundtrack, and gentle lessons on accepting otherness and learning to move past fear feel…

Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Jun 2021

Roadrunner, steeped in the jittery punk-rock style and verve of its famously omnivorous muse, registers as more than a requiem or a postscript…

Review of Cruella (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 May 2021

Cruella comes off as a curious animal, eager to change its spots and trying a little bit of everything along the way…

Review of In the Heights (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 May 2021

For all its rich tapestry and radiant ingenues, it's that casual centering of so many marginalized voices that makes the movie feel, in its…

Review of The Killing of Two Lovers (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 May 2021

With [Crawford's] proud, wounded performance at the center, the film's raw vérité style and unforced naturalism do more than set a mood;…

Review of Riders of Justice (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 May 2021

A kind of popcorn movie that doesn't just let wit and storytelling serve as the garnish for big-bang action, but makes that its actual priority…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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