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Last updated: 29 Oct 2026 at 13:24 UTC

Movie Reviews by Leah Greenblatt - Page 10 of 37

181-200 of 734 Reviews

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Review of Dream Horse (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 May 2021

A quirky bootstraps narrative of improbable small-town ambition and extremely regional accents designed not to rush its modest, affable charms…

Review of A Quiet Place Part II (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 May 2021

Once again, Krasinski manages to render relatively straightforward tasks — nursing a baby, tuning a radio, walking through a train car —…

Review of The Woman in the Window (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 May 2021

The final 30 minutes of the film descend into something so bloody and outrageous it nearly works as camp…

Review of Oxygen (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 May 2021

A film literally made from thin air, the French thriller Oxygen (on Netflix starting Friday) is a neat little sci-fi nightmare; a cool-toned…

Review of Those Who Wish Me Dead (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 May 2021

Unlike Remorse, and other bloody misfires out this month, Dead isn't particularly ugly or offensive; it's engaging enough and sometimes almost…

Review of Wrath of Man (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 May 2021

Wrath is just another loose bag of lizard-brain thrills and wood-block dialogue: too ugly to be camp, too grimly familiar to feel new…

Review of Things Heard & Seen (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 29 Apr 2021

The movie marches on in grim, silly lockstep to its themes: a compendium of jump-scare terrors almost exhaustively heard and seen, but rarely…

Review of Tom Clancy's Without Remorse (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Apr 2021

Vengeance is wrought without remorse and even less sense. The only sure thing, judging by the promise of a post-credits scene, is a sequel…

Review of Shiva Baby (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Apr 2021

Enter Shiva at your own risk then: a hell of Danielle's own making maybe, but still a witty, jittery trip…

Review of Godzilla vs. Kong (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 29 Mar 2021

If you want a great monster movie that's actually also about people — how they think and talk and feel when they're more than just screaming…

Review of Operation Varsity Blues: The College Admissions Scandal (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Mar 2021

Most illuminating are the various journalists, attorneys, witnesses, and admissions counselors who testify to the case…

Review of Raya and the Last Dragon (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Mar 2021

If Raya's outlines and endpoint are strictly fairy-tale familiar (evil is vanquished, good triumphs, reconstituted dragons romp), the movie…

Review of Cherry (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Feb 2021

For all the frenzied action of the final scenes though, there's an airless, overwrought sense of diminishing returns — and that's a comedown…

Review of Silk Road (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Feb 2021

There's only so much real-world intrigue a crime committed almost entirely via ones and zeroes can entail, and the script's halfhearted attempts…

Review of The Father (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Feb 2021

The skillfulness of the telling, paradoxically, can make The Father feel at times almost too painful to sit through; as the story shifts elliptically…

Review of Billie Eilish: The World's a Little Blurry (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Feb 2021

As her success spikes exponentially, so does the film's momentum, shifting toward the more familiar touchstones of a traditional music doc…

Review of The United States vs. Billie Holiday (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 24 Feb 2021

Daniels has a way of molding the chaotic murk of history into something neat and shiny — whether it be the roots of Holiday's addiction or…

Review of I Care a Lot (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Feb 2021

Pike…

Review of The World to Come (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Feb 2021

The immersive look of the film, with its strikingly unadorned landscapes and dim-lit interiors, casts a spell, and Waterston (the Fantastic…

Review of The Mauritanian (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Feb 2021

Director Kevin MacDonald (The Last King of Scotland, Touching the Void) gives the movie both the global sweep of a thriller and the more granular…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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