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Last updated: 16 Jun 2026 at 23:29 UTC

Movie Reviews by Leah Greenblatt - Page 7 of 37

121-140 of 734 Reviews

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Review of Sharp Stick (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jan 2022

The movie's final frame asks us to believe that Sarah Jo has finally, ecstatically found herself; by then, whatever reason we have for watching…

Review of Cha Cha Real Smooth (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jan 2022

Cha Cha feels like both a fitting showcase for a young auteur like Raiff and a larger marker of how much movie masculinity has evolved: a real-smooth…

Review of Fresh (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jan 2022

Cave has a smart, stylish way of storytelling that somehow makes a film built on bone saws and grotesqueries feel almost breezy…

Review of When You Finish Saving the World (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Jan 2022

Adapting the script from his own 2020 audio play, Eisenberg treats his cast with measured acidity, drawing out their snarky moods and narcissistic…

Review of Cyrano (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Dec 2021

The real draw is Dinklage: with his mournful eyes and crooked smile, he's the tender, towering soul of Cyrano…

Review of Swan Song (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Dec 2021

Without much dramatic tension beyond the will-he-or-won't-he of Cameron's final choice, the film feels oddly inert, a melancholic iPhone ad…

Review of Spider-Man: No Way Home (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 16 Dec 2021

The way that the movie eventually manages to bridge all those multiplicities and pull them into focus feels both obvious and ingenious…

Review of The Hand of God (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Dec 2021

There are more cohesive coming-of-age movies to be sure, and subtler ones…

Review of Don't Look Up (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Dec 2021

Frankly, it's almost enough just to watch them all run around in states that range from manic panic to Zen serenity while McKay employs his…

Review of Nightmare Alley (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Dec 2021

Nightmare Alley is both a beautiful-looking film and an oddly forgettable one, maybe because borrowed material is no match for the ingenious…

Review of West Side Story (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Dec 2021

It feels like a rare achievement to even attempt to scale the unscalable and still, after more than half a century, be able to make it sing…

Review of Licorice Pizza (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Nov 2021

Licorice (the title, never once mentioned or explained, remains a happy non sequitur) is a love letter to an era, and more than that a feeling…

Review of The Humans (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 24 Nov 2021

The cast's chemistry never quite gels beyond their staged circumstances, and too much of the dialogue replicates actual life without finding…

Review of House of Gucci (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Nov 2021

Gucci might have been a better movie if it had fully committed to the high camp its Blondie-soundtracked trailer promises…

Review of The Souvenir: Part II (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Nov 2021

Nothing in Souvenir Part II is obvious; one could argue it's even obtuse to the point of excluding most casual moviegoers…

Review of Red Notice (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Nov 2021

For all the outsize fight scenes and casual profanity though, the whole thing is oddly bloodless…

Review of Antlers (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Nov 2021

For all its eerie scene-setting and squishy entrails, Antlers never really exposes the emotional guts of its narrative beyond the scope of…

Review of Last Night in Soho (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Oct 2021

Soho is one hell of a half of a movie: a wildly styled neon reverie whose spooky bedazzlement only crashes to earth when it succumbs to bog-standard…

Review of Eternals (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Oct 2021

The looping flashback structure and relaxed, intimate pacing has the odd effect of making the fate of the free world feel a lot less urgent…

Review of The Electrical Life of Louis Wain (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Oct 2021

The film can't seem to stop piling on idiosyncrasies, a kind of willful kookery that mixes uneasily with the more serious elements of personal…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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