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Last updated: 16 Jun 2026 at 19:04 UTC

Movie Reviews by Leah Greenblatt - Page 6 of 37

101-120 of 734 Reviews

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Review of The Unbearable Weight of Massive Talent (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Apr 2022

Cage, so great and unexpectedly subdued in last year's small-scale indie drama Pig, has a ball with his own myth-making, a star contracting…

Review of Metal Lords (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Apr 2022

The story belongs to its young cast, and Lords' ramshackle comedy sweetly captures the rank anxiety, random humiliations, and undiluted hope…

Review of Paris, 13th District (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Apr 2022

A love triangle, or maybe something more like a love polygon, lies at the center of the slight but alluring latest from Parisian writer-director…

Review of The Northman (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Apr 2022

Beneath the runes and visions, it's a tale as old as Game of Thrones, and as simple as a story told around a campfire: a ride of the Valkyries…

Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Apr 2022

Dumbledore feels like an improvement, at least, on the joyless, enervating slog of 2018's Crimes of Grindelwald; it's nimbler and sweeter and…

Review of All the Old Knives (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Apr 2022

Pine and Newton work valiantly to fill in the blanks, though the gray-flannel template of the dialogue often pushes back…

Review of Ambulance (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Apr 2022

The violence is cartoonishly casual and the ending pure Hollywood corn…

Review of The Bubble (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 31 Mar 2022

Both directors have made much better movies; go watch one of those instead…

Review of Morbius (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Mar 2022

Swedish-Chilean director Daniel Espinosa (Life) gives it all a dark sheen, and shoots the pair's inevitable confrontations less like traditional…

Review of The Lost City (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Mar 2022

Nothing in Lost City would really hang together without its main pair, whose chemistry movies like this inevitably live or die on…

Review of Everything Everywhere All at Once (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Mar 2022

The actors, particularly the inexhaustible Yeoh, do much of the work to ground what often feels, with its dream logic and layer-cake Inception…

Review of The Adam Project (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Mar 2022

For all its earnest sentiment and questionable science, though, Adam barrels along on movie stars and charm, from futures past and back again…

Review of Turning Red (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Mar 2022

In the tricky world of tween-dom, it captures something sweetly universal: Growing up is messy, no matter how you bear it…

Review of After Yang (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Mar 2022

Like its muse, the movie feels a little like a black-box experiment, one that can be both frustratingly opaque and achingly lovely: a still-waters…

Review of The Batman (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Feb 2022

It falls on Pattinson's leather-cased Batman to be the hero we need, or deserve…

Review of Marry Me (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Feb 2022

It's all cream puff, a featherweight fairytale too shiny and mild to attempt the better movie about midlife romance and second chances that…

Review of Death on the Nile (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Feb 2022

In a post-Knives Out world, is a movie like this meant to be a classic whodunit for the whole family, or something more deliberately meta and…

Review of Emily the Criminal (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Jan 2022

Ford imbues his story with a tense, vibrating energy, moving briskly between the breathlessness of a heist thriller and the sharper barbs of…

Review of Speak No Evil (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Jan 2022

Pay no attention to the shades of late-night cable in the title; Speak No Evil is a lamentably generic name for a movie as stark and unsettling…

Review of Good Luck to You, Leo Grande (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Jan 2022

Thompson is, unsurprisingly, a force: alternately brittle and vulnerable and mordantly witty, her whole body vibrating with a lifetime's worth…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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