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Last updated: 22 Jun 2026 at 21:40 UTC

Movie Reviews by Leah Greenblatt - Page 27 of 37

521-540 of 734 Reviews

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Review of All the Money in the World (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Dec 2017

A smart, eminently watchable thriller, taut and stylish, and Plummer is remarkably good in it…

Review of The Greatest Showman (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 Dec 2017

The movie never quite stops feeling like Moulin Rouge…

Review of Downsizing (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 Dec 2017

The result is a dadaist swirl of satire, pie-eyed whimsy, and speculative futurism — like Gulliver’s Travels through the wrong end of a telescope…

Review of Pitch Perfect 3 (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 19 Dec 2017

Mostly this is all just pretext for dreamy postcard shots of Europe, a metric ton of slapstick, and as many highly specific vocal riff-offs…

Review of I, Tonya (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Dec 2017

The skating scenes, too, are thrilling, but Robbie is the real revelation…

Review of The Disaster Artist (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Nov 2017

It feels only appropriate that James Franco, an actor and director for whom weirdness is next to godliness, would be the one to tell his story…

Review of Call Me by Your Name (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Nov 2017

It’s real life, heartbreaking and sublime…

Review of Coco (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Nov 2017

The vividness of the narrative never quite matches the riotous swirl of color and culture on screen — and neither do the songs, sadly, for…

Review of Three Billboards Outside Ebbing, Missouri (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Nov 2017

A tar-black comedy so caustic it nearly burns a hole in the screen, Three Billboards Outside Ebbing, Missouri banks a lot on the gale force…

Review of Thelma (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Nov 2017

Thelma doesn’t play with pig’s blood and jump scares; its dreamlike dread is subtler and stranger, and much harder to shake…

Review of Murder on the Orient Express (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Nov 2017

Branagh executes his double duties with a gratifyingly light touch, tweaking the story’s more mothballed elements without burying it all…

Review of Lady Bird (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Nov 2017

Gerwig doesn’t trap her protagonist in the oblivious underage bubble that most coming-of-age dramedies inhabit; Lady Bird’s parents, played…

Review of A Bad Moms Christmas (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Nov 2017

What follows is another slapstick dose of hard-R ridiculosity with a soft-nougat center, but it also passes the Bechdel test maybe better than…

Review of Novitiate (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Oct 2017

First-time director Maggie Betts has said she based her story in part on extended research into the aftershocks of Vatican II’s new liberties…

Review of Suburbicon (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Oct 2017

The movie does get some fun gory mileage out of its cracked-Pleasantville premise; but mostly it feels like broad farce madly in search of…

Review of Wonderstruck (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Oct 2017

Even a ravishingly shot finale — Queens has never looked so enchanting — can’t quite paper over the weak resolution of the plot’s central…

Review of BPM (Beats per Minute) (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 19 Oct 2017

There’s something uniquely, transcendently beautiful in Campillo’s particular vision and the unhurried way he unfurls it…

Review of Professor Marston and the Wonder Women (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Oct 2017

A tasteful, surprisingly sedate biopic slathered in the traditional signposts of heavy exposition, gold-toned cinematography, and note-perfect…

Review of The Death and Life of Marsha P. Johnson (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Oct 2017

Death is what leads the title and drives the movie…

Review of Una (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Oct 2017

Una’s raw, deeply discomfiting dance between obsession and exploitation isn’t easy to watch by any metric; they make it hard to look away…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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