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Last updated: 22 Jun 2026 at 23:07 UTC

Movie Reviews by Leah Greenblatt - Page 26 of 37

501-520 of 734 Reviews

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Review of Beirut (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Apr 2018

The performances are strong and the story is absorbing; a smart diversion for adult attention spans…

Review of 6 Balloons (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Apr 2018

At just over 70 minutes, Balloons feels more like a sketch or a character study than a fully realized film, but it's an affecting sketch nonetheless…

Review of Chappaquiddick (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Apr 2018

What the movie doesn’t do, until it’s nearly over, is make any real case for why so much of America continued to put their faith in Kennedy…

Review of A Quiet Place (2016)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Mar 2018

When A Quiet Place has one finger on the panic button and the other on mute, it's a nervy, terrifying thrill…

Review of A Quiet Place (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Mar 2018

When A Quiet Place has one finger on the panic button and the other on mute, it’s a nervy, terrifying thrill…

Review of Gemini (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Mar 2018

A heavily atmospheric neo-noir that starts with real promise but eventually crumbles into silliness…

Review of Isle of Dogs (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Mar 2018

The movie’s darker allegory of persecution and internment isn’t hard to miss, though, and the dogs themselves, with their tactile tufts…

Review of Love, Simon (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Mar 2018

There’s some real, weird fun in secondary characters like Tony Hale’s desperate-to-be-down principal, Natasha Rothwell’s exasperated…

Review of Tomb Raider (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Mar 2018

Uthaug also manages to work in a few genuinely cool visual tricks, though the dialogue, from a serviceable script by Geneva Robertson-Dworet…

Review of The Death of Stalin (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Mar 2018

Despite the rich settings and crowded cast, the film can’t help feeling a little airless too: These players aren’t history’s masterminds,…

Review of Thoroughbreds (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Mar 2018

What begins as a gleefully nasty piece of work gradually picks up more nuance as it goes, adding dimensions to characters who could easily…

Review of Annihilation (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Feb 2018

It’s the kind of film that leaves you dazzled and a little shell-shocked — and not entirely sure whether your own moviegoing DNA hasn’t…

Review of Annihilation (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Feb 2018

It’s the kind of film that leaves you dazzled and a little shell-shocked — and not entirely sure whether your own moviegoing DNA hasn’t…

Review of Game Night (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 Feb 2018

McAdams, whose comedic skills have gone unsung for way too long, is dizzy fun…

Review of Loveless (2011)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Feb 2018

The title of Loveless is no misnomer: It might just be the feel-bad movie of the year…

Review of Black Panther (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Feb 2018

[Coogler] infuses nearly every frame with soul and style, and makes the radical case that a comic-book movie can actually have something meaningful…

Review of A Fantastic Woman (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Jan 2018

It’s heartbreaking, illuminating, and yes, fantastic, just to watch her (Marina) live…

Review of Maze Runner: The Death Cure (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Jan 2018

There’s a pleasing sort of B-movie-on-an-A+-budget simplicity to Death Cure…

Review of In the Fade (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Dec 2017

In the Fade is a flawed filmgoing experience, but still a viscerally affecting one…

Review of Film Stars Don't Die in Liverpool (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Dec 2017

It’s a minor-key tale by any measure: a May-December romance played out in the fading shadow of Old Hollywood glamour…

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Page 26 of 37

Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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