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Last updated: 16 Jun 2026 at 13:15 UTC

Movie Reviews by Kate Erbland - Page 6 of 35

101-120 of 681 Reviews

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Review of Hatching (2022)

By Kate Erbland (681) for IndieWire (3,631) on 26 Jan 2022

Bergholm is skilled at keeping the tension high while finding amusing pockets of pure comedy (whatever Volanen is doing is genius, full stop),…

Review of Emily the Criminal (2022)

By Kate Erbland (681) for IndieWire (3,631) on 26 Jan 2022

You always know a Plaza performance will be good, but over the past few years, Plaza has seemed to make it a priority to surprise her audiences…

Review of Honk for Jesus. Save Your Soul. (2022)

By Kate Erbland (681) for IndieWire (3,631) on 26 Jan 2022

Featuring stars Regina Hall and Sterling K. Brown doing predictably divine work (do these two performers know any other way…

Review of Call Jane (2022)

By Kate Erbland (681) for IndieWire (3,631) on 24 Jan 2022

While Call Jane might suffer from a litany of the usual first film missteps — a tricky tone often hobbles it, as does a bent toward gliding…

Review of Sharp Stick (2022)

By Kate Erbland (681) for IndieWire (3,631) on 23 Jan 2022

Attempts to ride the film through its own uncomfortable wavelength do offer some treats, even if they all come with caveats…

Review of The 355 (2022)

By Kate Erbland (681) for IndieWire (3,631) on 06 Jan 2022

While The 355 might not be the boundary-busting breakthrough it was sold as, it’s something better: a solid spy flick that adds something…

Review of A Journal for Jordan (2021)

By Kate Erbland (681) for IndieWire (3,631) on 16 Dec 2021

No, it’s not what you’re expecting, and what it is isn’t very good, either…

Review of Spider-Man: No Way Home (2021)

By Kate Erbland (681) for IndieWire (3,631) on 13 Dec 2021

The road to the closing moments of “No Way Home” — both warm-hearted and heartbreaking — might have hit a few bumps, but the darkness…

Review of The Hating Game (2021)

By Kate Erbland (681) for IndieWire (3,631) on 09 Dec 2021

Thorne’s novel might be best known for its hot-and-bothered sex scenes, but she also built a romance with real stakes and big emotion, and…

Review of Being the Ricardos (2021)

By Kate Erbland (681) for IndieWire (3,631) on 07 Dec 2021

While the filmmaker’s affection for full circle moments can be charming, within the context of “Being the Ricardos,” it all feels like…

Review of Home Sweet Home Alone (2021)

By Kate Erbland (681) for IndieWire (3,631) on 11 Nov 2021

Dan Mazer’s film is the closest yet the series has come to a true remake, focusing on one plucky kid, two crazed robbers, and a Christmastime…

Review of Army of Thieves (2021)

By Kate Erbland (681) for IndieWire (3,631) on 26 Oct 2021

Army of Thieves is content to dig into its heist DNA over everything else (including, unfortunately, the rom-com sensibility it seeks between…

Review of Night Teeth (2021)

By Kate Erbland (681) for IndieWire (3,631) on 20 Oct 2021

Night Teeth lacks much more than bite. It’s incoherent to boot…

Review of The Blazing World (2021)

By Kate Erbland (681) for IndieWire (3,631) on 15 Oct 2021

It’s an imperfect debut, but it holds thrilling promise for what comes next…

Review of Knocking (2021)

By Kate Erbland (681) for IndieWire (3,631) on 07 Oct 2021

Few contemporary horror films start this strong to end so poorly, and with such a lack of ease…

Review of Venom: Let There Be Carnage (2021)

By Kate Erbland (681) for IndieWire (3,631) on 30 Sep 2021

Venom: Let There Be Carnage is at its best — and its most unique, amusing, and fresh — when it’s tossing out those expectations and letting…

Review of Huda's Salon (2022)

By Kate Erbland (681) for IndieWire (3,631) on 18 Sep 2021

“Huda’s Salon” doesn’t waste a second in its crackling first 10 minutes…

Review of A Banquet (2022)

By Kate Erbland (681) for IndieWire (3,631) on 17 Sep 2021

The film rockets toward an ending that’s somehow both sewed right up and blown wide open…

Review of Writing with Fire (2021)

By Kate Erbland (681) for IndieWire (3,631) on 16 Sep 2021

Armed with eagle-eyed filmmakers and compelling subjects, the film deftly blends the (inextricably linked) personal and professional sides…

Review of The Eyes of Tammy Faye (2021)

By Kate Erbland (681) for IndieWire (3,631) on 12 Sep 2021

For better or worse, we’re on Tammy Faye’s side, but the film often embraces the worst bits of a complicated story in order to make Tammy…

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Kate Erbland has written reviews for:

The Playlist (3,871)
Indiewire (3,631)
Boxoffice Magazine (2,896)
Film.com (1,892)
The Dissolve (1,478)
Film School Rejects (1,198)
MSN Movies (470)

Kate Erbland is connected to:

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