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Last updated: 11 Sep 2026 at 05:29 UTC

Movie Reviews by Kate Erbland - Page 5 of 35

81-100 of 681 Reviews

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Review of 365 Days: This Day (2022)

By Kate Erbland (681) for IndieWire (3,631) on 27 Apr 2022

No, most audiences who tune into 365 Days: This Day are likely not seeking out female empowerment tales or coherent plots, but the disdain…

Review of Downton Abbey: A New Era (2022)

By Kate Erbland (681) for IndieWire (3,631) on 26 Apr 2022

A New Era” doesn’t feel like a cash-grab, but a true continuation…

Review of All the Old Knives (2022)

By Kate Erbland (681) for IndieWire (3,631) on 06 Apr 2022

Come for the espionage thrills, stay for the wrenching dissection of what it means to really love someone. That’s what really cuts deep…

Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Kate Erbland (681) for IndieWire (3,631) on 05 Apr 2022

The series’ third outing, Fantastic Beasts: The Secrets of Dumbledore, falls into precisely the same traps as its predecessor, offering up…

Review of Morbius (2022)

By Kate Erbland (681) for IndieWire (3,631) on 30 Mar 2022

The film occupies a strange no-mans-land of the sprawling Spider-Verse, not charming like the Spider-Man films, not funny like the Venom films,…

Review of 7 Days (2021)

By Kate Erbland (681) for IndieWire (3,631) on 24 Mar 2022

7 Days is a film about a lot of things — matchmaking, familial expectations, being your best self, opening your heart — but it’s also…

Review of Spin Me Round (2022)

By Kate Erbland (681) for IndieWire (3,631) on 18 Mar 2022

While Baena and Brie, who wrote the film together, don’t exactly flip the script on this seemingly well-trod subgenre, the duo (plus a star-packed…

Review of Soft & Quiet (2022)

By Kate Erbland (681) for IndieWire (3,631) on 17 Mar 2022

The film unfolds like a runaway train, a rapid-fire thriller and drama and horror film all in one, both breathless and breathtaking…

Review of Umma (2022)

By Kate Erbland (681) for IndieWire (3,631) on 17 Mar 2022

Despite its flaws, Umma is an impressive debut for Shim, the kind of outing that hints at plenty more under the hood or tucked inside a massive…

Review of Gone in the Night (2022)

By Kate Erbland (681) for IndieWire (3,631) on 16 Mar 2022

As “The Cow” sinks deeper into increasingly limp twists, turns, and choices, Ryder keeps hold of Kath, offering the film’s most genuine…

Review of Turning Red (2022)

By Kate Erbland (681) for IndieWire (3,631) on 07 Mar 2022

The lessons are of the usual sort — how to be true to yourself, how to honor your family and friends, the value of culture in all its forms,…

Review of Three Months (2022)

By Kate Erbland (681) for IndieWire (3,631) on 24 Feb 2022

There need to be more films like this, if only so the LGBTQ kids seeking them out will realize how normal their own experiences are…

Review of Three Months (2022)

By Kate Erbland (681) for IndieWire (3,631) on 24 Feb 2022

There need to be more films like this, if only so the LGBTQ kids seeking them out will realize how normal their own experiences are…

Review of The In Between (2022)

By Kate Erbland (681) for IndieWire (3,631) on 11 Feb 2022

Caught in between a love story and a ghost story, the film accidentally disproves the very epigraph that opens it — “Every love story is…

Review of Marry Me (2022)

By Kate Erbland (681) for IndieWire (3,631) on 10 Feb 2022

But while that stew sounds familiar, Marry Me takes almost too long to get really cracking, with both romance and laughs in short supply, until…

Review of The Sky Is Everywhere (2022)

By Kate Erbland (681) for IndieWire (3,631) on 10 Feb 2022

In the hands of director Josephine Decker, a filmmaker uniquely suited to depicting personal expression on the big screen, the film version…

Review of I Want You Back (2022)

By Kate Erbland (681) for IndieWire (3,631) on 10 Feb 2022

There’s a deeper, more serious film at the heart of I Want You Back, but a bent toward offering up off-kilter comedic set pieces instead…

Review of The Janes (2022)

By Kate Erbland (681) for IndieWire (3,631) on 29 Jan 2022

Lessin, Pildes, and their many subjects eschew cheap emotion in favor of something much more intimate and, ultimately, more honest…

Review of Nanny (2022)

By Kate Erbland (681) for IndieWire (3,631) on 28 Jan 2022

The first-time filmmaker may be attempting to fit too many ideas into one sleek package, but that doesn’t mitigate the truth of Nanny: All…

Review of Palm Trees and Power Lines (2023)

By Kate Erbland (681) for IndieWire (3,631) on 28 Jan 2022

Throughout the film, both Dack and her revelatory star teeter through shifting concepts, black and white, yes and no, that only grow more jarring…

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Page 5 of 35

Kate Erbland has written reviews for:

The Playlist (3,871)
Indiewire (3,631)
Boxoffice Magazine (2,896)
Film.com (1,892)
The Dissolve (1,478)
Film School Rejects (1,198)
MSN Movies (470)

Kate Erbland is connected to:

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