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Last updated: 16 Jun 2026 at 08:18 UTC

Movie Reviews by Kate Erbland - Page 7 of 35

121-140 of 681 Reviews

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Review of The Starling (2021)

By Kate Erbland (681) for IndieWire (3,631) on 12 Sep 2021

While the film attempts to thread a tricky needle between absolute drama and wacky comedy — dramedy…

Review of The Guilty (2021)

By Kate Erbland (681) for IndieWire (3,631) on 10 Sep 2021

If you’ve seen Moller’s The Guilty, well, you’ve basically seen Fuqua’s, but Gyllenhaal’s performance adds a go-for-broke turn that…

Review of Mothering Sunday (2021)

By Kate Erbland (681) for IndieWire (3,631) on 09 Sep 2021

Mothering Sunday pushes toward cut-and-dried conclusions, sewing up certain storylines with a finality that doesn’t befit the early sense…

Review of Marcel the Shell with Shoes On (2022)

By Kate Erbland (681) for IndieWire (3,631) on 06 Sep 2021

Marcel the Shell seamlessly marries big ideas with charm and humor (and inventive stop-motion work to boot)…

Review of Julia (2021)

By Kate Erbland (681) for IndieWire (3,631) on 03 Sep 2021

At just 95 minutes, Cohen and West hit the bullet points of Child’s life, much of it told through her own archival interviews and personal…

Review of Candyman (2021)

By Kate Erbland (681) for IndieWire (3,631) on 25 Aug 2021

While DaCosta ably toys with the usual genre trappings — jump scares, things that go bump in the night, eye-popping gore — the filmmaker,…

Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Kate Erbland (681) for IndieWire (3,631) on 23 Aug 2021

“Shang-Chi” may be built on familiar lines, but in the moments when it’s allowed to be its own film, it’s a vastly different (and vastly…

Review of The Kissing Booth 3 (2021)

By Kate Erbland (681) for IndieWire (3,631) on 10 Aug 2021

In the face of icky writing, limp directing, awful pacing, horrific green screen, and terrible jokes, star Joey King spent three film adaptations…

Review of Respect (2021)

By Kate Erbland (681) for IndieWire (3,631) on 08 Aug 2021

So much of Respect is about Aretha wanting more — and so desiring to work for it — and it’s disheartening that this well-meaning exploration…

Review of Jolt (2021)

By Kate Erbland (681) for IndieWire (3,631) on 22 Jul 2021

For a film built on the wild concept that bonafide action bad-ass Kate Beckinsale has to wear an electrode-laden vest meant to shock her into…

Review of Space Jam: A New Legacy (2021)

By Kate Erbland (681) for IndieWire (3,631) on 14 Jul 2021

Space Jam: A New Legacy is as relentlessly odd as its predecessor, but its even giddier interest in corporate synergy turns it into a far more…

Review of Gunpowder Milkshake (2021)

By Kate Erbland (681) for IndieWire (3,631) on 13 Jul 2021

This first entry could stand to be a bit more satisfying on its own, but the sugar rush that accompanies “Gunpowder Milkshake” is more…

Review of The Boss Baby: Family Business (2021)

By Kate Erbland (681) for IndieWire (3,631) on 30 Jun 2021

Flashier stuff isn’t up to task, from awkward character design (the adults are, let’s just say, crafted with less care than the kiddos)…

Review of Good on Paper (2021)

By Kate Erbland (681) for IndieWire (3,631) on 23 Jun 2021

Good on Paper can’t quite find its footing, offering insight and sparkle in only fits and starts…

Review of The Novice (2021)

By Kate Erbland (681) for IndieWire (3,631) on 19 Jun 2021

It’s Furhman, steadily building Alex from the inside out, even as she’s crumbling around her, that adds the most tension and intensity…

Review of False Positive (2021)

By Kate Erbland (681) for IndieWire (3,631) on 18 Jun 2021

Trapped in some bizarre movie genre hinterland, wholly resistant to veering too far in any direction, this aimless film isn’t dark enough…

Review of Holler (2021)

By Kate Erbland (681) for IndieWire (3,631) on 09 Jun 2021

While the broad strokes of Riegel’s story might sound familiar, Holler finds its power in the particularities, especially Barden’s unfussy…

Review of Spirit Untamed (2021)

By Kate Erbland (681) for IndieWire (3,631) on 01 Jun 2021

Fans of the original film will still find something beautiful underneath, and “Riding Free” acolytes will likely delight in seeing a splashier…

Review of The Conjuring: The Devil Made Me Do It (2021)

By Kate Erbland (681) for IndieWire (3,631) on 01 Jun 2021

The scariest thing about The Devil Made Me Do It is the possibility that it will set the stage for more of this, and less of what made the…

Review of Plan B (2021)

By Kate Erbland (681) for IndieWire (3,631) on 27 May 2021

Plan B mixes real humor with some uncomfortable truths about the current state of sexual healthcare in America, though it doesn’t hammer…

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Kate Erbland has written reviews for:

The Playlist (3,871)
Indiewire (3,631)
Boxoffice Magazine (2,896)
Film.com (1,892)
The Dissolve (1,478)
Film School Rejects (1,198)
MSN Movies (470)

Kate Erbland is connected to:

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