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Last updated: 11 Jul 2026 at 21:22 UTC

Movie Reviews by Jeannette Catsoulis - Page 16 of 77

301-320 of 1,537 Reviews

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Review of Hellboy (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 10 Apr 2019

Marshall, a world away from the dank dread and crawling terror of his 2006 spelunking stunner, “The Descent,” directs like a dog at a squirrel…

Review of Teen Spirit (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 10 Apr 2019

Teen Spirit, Max Minghella’s sweet and touching directing debut, is both proudly clichéd and refreshingly different…

Review of The Chaperone (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Mar 2019

Despite a thoroughly modern central character, this impeccably costumed, wishy-washy period piece feels like it emerged from a PBS storage…

Review of Roll Red Roll (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 21 Mar 2019

A tough but essential watch, Roll Red Roll documents how a sexual assault in a declining Appalachian town became an international cause célèbre…

Review of The Aftermath (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 14 Mar 2019

An old-fashioned wartime romance whose plot highlights are recognizable from outer space, this gleaming dollop of prestige comfort food is…

Review of The Boy Who Harnessed the Wind (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Feb 2019

Though hobbled by an obviousness that dampens any suspense, this sensitive, environmentally concerned movie is most successful when steeped…

Review of Donnybrook (2018)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 14 Feb 2019

Ear-shredding to listen to (the soundtrack, between chunks of a comically portentous score, is mostly thrash metal) and soul-destroying to…

Review of A Tuba To Cuba (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 14 Feb 2019

High on music and hot with the thrill of discovery, A Tuba to Cuba swarms with shiny happy people…

Review of The Prodigy (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 07 Feb 2019

The movie’s occasional chills do little to obscure the thin plotting, problematic pacing and a central mystery that’s left aggravatingly vague…

Review of Untogether (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 07 Feb 2019

There’s scarcely a behavior or line reading in this exasperating relationship drama that doesn’t feel like affectation…

Review of King of Thieves (2018)

By Jeannette Catsoulis (1,537) for New York Times (5,786) on 23 Jan 2019

For all its flaws - and they are legion - King of Thieves wraps you in a fuzzy blanket of familiarity…

Review of Don't Come Back from the Moon (2019)

By Jeannette Catsoulis (1,537) for New York Times (5,786) on 17 Jan 2019

The movie’s emotional potency is undeniable, its slow crescendo of wounded feelings and shimmering photography leaving unexpected imprints…

Review of Adult Life Skills (2016)

By Jeannette Catsoulis (1,537) for New York Times (5,786) on 17 Jan 2019

By the time I had finished watching the aggressively whimsical British comedy Adult Life Skills, my eyes had rolled so far back in my head…

Review of Pledge (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 10 Jan 2019

If you like your torture movies tight, twisty and decently executed, then Pledge is for you…

Review of The Upside (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 10 Jan 2019

Some squinting will be required to block out the race and class stereotyping, as well as the puddles of sentiment scattered throughout the…

Review of The Vanishing (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 03 Jan 2019

While Jorgen Johansson’s windswept photography creates a credible sense of isolation (he filmed in part at the Mull of Galloway lighthouse),…

Review of Rust Creek (2019)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 03 Jan 2019

Corfield is fine in a role that gives her little opportunity to do more than run and fight, but a woman this empowered removes the question…

Review of Between Worlds (2018)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 20 Dec 2018

While fragments of past, present and who-knows-what events flash past, Cage, bless him, fully commits to the nuttiness…

Review of The Mercy (2018)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 29 Nov 2018

In prioritizing Crowhurst’s psychological frailty over his physical challenges (both conveyed more evocatively in the excellent 2007 documentary…

Review of Becoming Astrid (2018)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 27 Nov 2018

Erik Molberg Hansen’s relaxed camera movements and fuzzy-soft compositions are quite beautiful, and the performances — including the superb…

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