Review of Becoming Astrid (2018) by Jeannette Catsoulis for The New York Times — 27 Nov 2018
Erik Molberg Hansen’s relaxed camera movements and fuzzy-soft compositions are quite beautiful, and the performances — including the superb Trine Dyrholm as the baby’s Danish foster mother — are pitch-perfect.
Best of all is the magnetic August, whose open, mobile features can slide from plain to lovely with just a shift in the light and whose embrace of the character is a joy to watch.
You can read the full review where it was originally posted online.
This review of Becoming Astrid (2018) was written by Jeannette Catsoulis and published by The New York Times on 27 Nov 2018.
Becoming Astrid has generally received positive reviews.
Was this review helpful?
Yes
No
