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Last updated: 06 Jun 2026 at 08:15 UTC

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Review of by Jeannette Catsoulis for The New York Times — 10 Apr 2019

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Marshall, a world away from the dank dread and crawling terror of his 2006 spelunking stunner, “The Descent,” directs like a dog at a squirrel convention, charging gleefully from one witlessly violent encounter to the next.

Ian McShane, as Hellboy’s adoptive father, does what he can to calm the chaos, but the movie left me alternately baffled and battered.

You can read the full review where it was originally posted online.

This review of Hellboy (2019) was written by and published by The New York Times on 10 Apr 2019.

Hellboy has generally received mixed reviews.

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