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Last updated: 10 Jul 2026 at 01:45 UTC

Movie Reviews by David Ehrlich - Page 14 of 62

261-280 of 1,229 Reviews

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Review of The Dry (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 May 2021

The result is a raw but straightforward detective yarn that feels nagged by the past rather than bedeviled by it, when even a pinch of the…

Review of In the Heights (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 21 May 2021

So exuberant and full of life that it would probably convince you the movies were back even if they hadn’t gone anywhere, In the Heights…

Review of North Hollywood (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 May 2021

Half-sketched as its drama can be, Alfred’s feature-length fiction debut is sustained by a complete lack of poser energy and a few new tweaks…

Review of Dream Horse (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 May 2021

Dream Horse hits its stride off the track, where the paint-by-numbers drama of winning and losing takes a backseat to a more nuanced tale about…

Review of F9 (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 May 2021

This is a movie that sling-shots so far past self-parody that it loops all the way back to something real…

Review of Riders of Justice (2020)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 May 2021

What starts as the knotted stuff of violent coincidence soon unravels into something more bittersweet, as Mads Mikkelsen’s first movie after…

Review of Spiral: From the Book of Saw (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 May 2021

Less of a soft reboot than an emergency root canal for a series at risk of being removed from the release slate forever, this dogeared new…

Review of Those Who Wish Me Dead (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 May 2021

Those Who Wish Me Dead might be missing the extra gear required to make it as much of a touchstone for contemporary audiences as the likes…

Review of Oxygen (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 May 2021

Oxygen is the sort of sly exercise in cinematic anxiety that demands a certain suspension of disbelief, and earns just enough of it to entertain…

Review of Here Today (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 May 2021

In a film where several of the major story beats fall somewhere between far-fetched and Tolkien-level fantasy, it’s impossible not to appreciate…

Review of Cliff Walkers (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 May 2021

While there are some riches to be found under the surface for anyone who feels like watching this with a flow chart, Zhang is so clearly seduced…

Review of Wrath of Man (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 May 2021

The ultimate sin of Wrath of Man is that it doesn’t realize it’s really a story about pride…

Review of The Paper Tigers (2020)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 May 2021

Tran’s debut feature delivers a ton of charm for a kung fu throwback, and kicks a lot of ass for a broad comedy about some old guys relearning…

Review of Things Heard & Seen (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Apr 2021

Berman and Pulcini’s movie feels as if it’s more haunted by unrealized potential than anything else…

Review of Tom Clancy's Without Remorse (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Apr 2021

Without Remorse doesn’t understand the role it’s meant to serve as the foundation of a potential franchise…

Review of Mortal Kombat (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Apr 2021

This “Mortal Kombat” is more broadly watchable than the 1995 version ever was, but it’s hard to shake the dull sensation that video game…

Review of The Mitchells vs. the Machines (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 21 Apr 2021

However you slice it, this is the rare CGI movie that radiates its own kind of inventive beauty, slick without feeling plastic, and the artistry…

Review of We Broke Up (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 21 Apr 2021

The home stretch of We Broke Up is so knowing that the forced smile of the movie’s first hour achieves a certain poignancy in hindsight…

Review of The Banishing (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Apr 2021

The Banishing ends with such a walloping undertow of “wait, that’s it…

Review of Ride or Die (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Apr 2021

It’s a shaggy and distended portrait of friendship that pinballs through time as freely as it does between genres, and a few too many of…

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David Ehrlich has written reviews for:

Time Out (7,510)
The A.V. Club (5,644)
Rolling Stone (4,035)
Indiewire (3,631)
Little White Lies (3,136)
Boxoffice Magazine (2,896)
AV Club (2,778)
Slate (2,081)
Film.com (1,892)
The Dissolve (1,478)

David Ehrlich is connected to:

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