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Last updated: 10 Jul 2026 at 02:44 UTC

Movie Reviews by David Ehrlich - Page 15 of 62

281-300 of 1,229 Reviews

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Review of Ride or Die (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Apr 2021

It’s a shaggy and distended portrait of friendship that pinballs through time as freely as it does between genres, and a few too many of…

Review of The Man Who Sold His Skin (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 Apr 2021

The more bizarre The Man Who Sold His Skin becomes, the less original it gets…

Review of Voyagers (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Apr 2021

The middling but enjoyable Voyagers is meant to be a timeless parable about the primitive essence of human nature; if its space-age shenanigans…

Review of Shoplifters of the World (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Mar 2021

The rare moments when Shoplifters of the World isn’t tripping over its own cutesy fan service reveal a movie that’s listening for the real…

Review of Charli XCX: Alone Together (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 21 Mar 2021

The directors do a brilliant job of making its ad-hoc, mixed-media aesthetic into more of a feature than a bug…

Review of Tom Petty, Somewhere You Feel Free (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 Mar 2021

Somewhere You Feel Free” doesn’t develop into a snapshot so much as a loving impression of a legend gone too soon…

Review of Happily (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Mar 2021

A clever, high-concept dark comedy that uses the moral clarity of “The Twilight Zone” to see through the veil of modern cynicism, Happily…

Review of Long Weekend (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Mar 2021

Wittrock and Chao are both enormously likeable in their roles, even if Basilone’s derivative script often dilutes the organic chemistry between…

Review of YES DAY (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 10 Mar 2021

Assisted by his playful cast, Arteta brings so much clear-eyed, character-driven comic mayhem to every scene that even the wildest script contrivances…

Review of Wheel of Fortune and Fantasy (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Mar 2021

This one is every bit as static and chatty as fans have come to expect; rooted to its two-actors-in-a-room reality, but also charming and characteristically…

Review of Petite Maman (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Mar 2021

The result is at once both the most ordinary and most enchanted thing that Sciamma has made so far, a wise and delicate wisp of a movie…

Review of Chaos Walking (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Mar 2021

Despite its strange conceit and a few buried hints as to what a more courageous film might have done with it, the movie version of the first…

Review of The SpongeBob Movie: Sponge on the Run (2020)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Feb 2021

Sponge on the Run sprints by too fast to dwell on the moments when it runs out of breath, and the mad science that Hillenburg first experimented…

Review of Cherry (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 Feb 2021

Cherry sometimes feels like more of a live-action comic book than any of the Avengers movies ever did…

Review of Billie Eilish: The World's a Little Blurry (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 Feb 2021

The emotional rawness of that super-real encounter is typical of what viewers will find scattered across Cutler’s film, an 135-minute opus…

Review of Biggie: I Got a Story to Tell (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Feb 2021

The greatest value to Emmett Malloy’s broadly unenlightening Biggie: I Got a Story to Tell, a new documentary laced with intimate and never-before-seen…

Review of The United States vs. Billie Holiday (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 Feb 2021

Much like “Precious” and the Daniels-produced “Monster’s Ball” before it, The United States vs…

Review of Wild Indian (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Feb 2021

The great shock of Wild Indian is Corbine isn’t afraid to paint Makwa as more of a sociopath than a victim…

Review of Misha and the Wolves (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Feb 2021

Exploiting now-familiar techniques of documentary misdirection in the service of easy suspense, Misha and the Wolves wastes a golden opportunity…

Review of The Sparks Brothers (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Feb 2021

[A] delightful and unusually spirited love letter…

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David Ehrlich has written reviews for:

Time Out (7,510)
The A.V. Club (5,644)
Rolling Stone (4,035)
Indiewire (3,631)
Little White Lies (3,136)
Boxoffice Magazine (2,896)
AV Club (2,778)
Slate (2,081)
Film.com (1,892)
The Dissolve (1,478)

David Ehrlich is connected to:

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