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Last updated: 10 Jul 2026 at 00:46 UTC

Movie Reviews by David Ehrlich - Page 13 of 62

241-260 of 1,229 Reviews

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Review of Bergman Island (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Jul 2021

Bergman Island is a heart-stoppingly poignant stunner all the same — one beating inside a body of work that has always been seasick with…

Review of After Yang (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Jul 2021

Through its hushed portrait of loss and reclamation, After Yang whispers a powerful fable about an all too present tomorrow in which people…

Review of Benedetta (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Jul 2021

Despite a handful of headline-worthy moments and a generally blasphemous — or perhaps just humanistic…

Review of The Souvenir: Part II (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Jul 2021

As vulnerable as its predecessor and textured with the same velvet sense of becoming, “Part II” adds new layers of depth and distance to…

Review of Stillwater (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 Jul 2021

A strained but strangely affecting turducken of a movie…

Review of The Tomorrow War (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Jul 2021

It’s enough to make you long for the days when blockbusters of this scale weren’t afraid to make strong choices, especially the ones about…

Review of Fear Street: 1994 (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 30 Jun 2021

If the Day-Glo antics of Fear Street Part 1: 1994 are as tonally insecure as its teenage characters and a bit too broad to get under your skin,…

Review of The Ice Road (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 Jun 2021

If this mildly refreshing mid-June spectacle is as thin and straightforward as the terrain that it covers — forgettable in a way that makes…

Review of Sisters on Track (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Jun 2021

The resulting documentary is a nuanced, humane, and more naturally uplifting portrait of three young people trying to keep pace with their…

Review of Catch the Fair One (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Jun 2021

Despite — or perhaps because of — how evocative Reis’ performance can be, Catch the Fair One asks her to fill in too many of its blanks…

Review of Italian Studies (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Jun 2021

This is a film about an artist who forgets herself, made by an artist trying to do the same, and with the help of an actress looking for an…

Review of The Misfits (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 17 Jun 2021

It’s rarely a good sign when a movie leaves you thinking: “The Renny Harlin who made ‘The Adventures of Ford Fairlane’ would never…

Review of Werewolves Within (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 17 Jun 2021

What this quaint little “Hot Fuzz” homage lacks in scale, it nearly makes up for with a stacked cast of delightful comic actors who all…

Review of Luca (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Jun 2021

It may not be the best Pixar movie, or the riskiest — it sure as hell isn’t the most ambitious — but Luca is also one of the precious…

Review of Infinite (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 10 Jun 2021

A lukewarm soup of second-hand tropes that’s served in a portion too small to satisfy even the least discriminating thirst for slop, Infinite…

Review of Hitman's Wife's Bodyguard (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Jun 2021

Terrible green screen, globs of digital blood, and record-scratch sound effects in place of actual jokes are only potholes along the road for…

Review of Earwig and the Witch (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Jun 2021

While Earwig and the Witch is far from the ugliest film of its kind, there’s something uniquely perverse about seeing Ghibli’s signature…

Review of Ghost Lab (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Jun 2021

The volatile friction between the movie’s wildly conflicting energies works as a curious backstop for this cautionary tale about not giving…

Review of American Traitor: The Trial of Axis Sally (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Jun 2021

Pacino has made a lot of movies that feel like glorified tax shelters, but this is the first that appears to have actually been shot in one…

Review of Moby Doc (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 May 2021

An insufferable movie that wants to be profound and benign in equal measure…

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David Ehrlich has written reviews for:

Time Out (7,510)
The A.V. Club (5,644)
Rolling Stone (4,035)
Indiewire (3,631)
Little White Lies (3,136)
Boxoffice Magazine (2,896)
AV Club (2,778)
Slate (2,081)
Film.com (1,892)
The Dissolve (1,478)

David Ehrlich is connected to:

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