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Last updated: 09 Jul 2026 at 23:51 UTC

Movie Reviews by David Ehrlich - Page 12 of 62

221-240 of 1,229 Reviews

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Review of Free Guy (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Aug 2021

Free Guy is nothing if not a movie that wins you over in spite of your better judgment and best defenses, but its “be the change you wish…

Review of Beckett (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Aug 2021

Thin and politically disengaged as this diverting Euro-thriller can be, it never forgets how even the most desperate of people can be left…

Review of Naked Singularity (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Aug 2021

Naked Singularity is the work of an untested filmmaker who knows how to streamline but lacks the chutzpah to swing for the fences…

Review of Vivo (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Jul 2021

Vivo grows increasingly generic and forgettable as the film goes on, and the closer its furry hero gets to finding a silver lining, the more…

Review of Alive: Who Is There? (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Jul 2021

Vivo grows increasingly generic and forgettable as the film goes on, and the closer its furry hero gets to finding a silver lining, the more…

Review of The Suicide Squad (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jul 2021

The most fun and least depressing superhero movie in a very long time, Gunn’s deliriously ultra-violent “The Suicide Squad” wears the…

Review of Jungle Cruise (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Jul 2021

Disney’s latest attraction just isn’t rousing enough to sustain the fun of a 20-minute ride for more than two hours, and the rewards are…

Review of The Green Knight (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 26 Jul 2021

Stoned out of its mind and shot with a genre-tweaking mastery that should make John Boorman proud, it’s also the rare movie that knows exactly…

Review of Val (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 Jul 2021

This is the role that he’s been rehearsing for his entire life, and Val is far more rewarding if you think about it not as an autobiographical…

Review of Val (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 Jul 2021

This is the role that he’s been rehearsing for his entire life, and Val is far more rewarding if you think about it not as an autobiographical…

Review of Old (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Jul 2021

By the time “Old” is over, the strongest feeling it leaves us with is that it just got 108 minutes shorter…

Review of Snake Eyes: G.I. Joe Origins (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Jul 2021

The action scenes are so inexplicably painful — and the character work in “Snake Eyes” is so unexpectedly strong — that your heart…

Review of Homeroom (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 Jul 2021

While it might feel callous to belabor the rushed and scattershot editing of a documentary that pushed through so many difficulties to exist…

Review of Blood Red Sky (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 Jul 2021

What could’ve been a fun chimera that someone Frankensteined together from two wildly different films instead becomes a low-flying slog that…

Review of Paris, 13th District (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 17 Jul 2021

As mercifully non-didactic as one would expect from any French movie about a constellation of hot people banging into each other as they rotate…

Review of Blue Bayou (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Jul 2021

Justin Chon’s overcranked but achingly heartfelt “Blue Bayou” is a case-study in how issue-driven melodramas are a double-edged sword…

Review of Red Rocket (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Jul 2021

Red Rocket is so arresting because of how it keeps hope alive by rescuing devastation from the jaws of happiness…

Review of Titane (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Jul 2021

Whatever you’re willing to take from it, there’s no denying that Titane is the work of a demented visionary in full command of her wild…

Review of The Velvet Underground (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 Jul 2021

At its best, Haynes’ film is neither a dry accounting of who the Velvets were nor a heady evocation of their work; it’s a movie about the…

Review of Drive My Car (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Jul 2021

The result is a low-key but lingeringly resonant tale about a strange chapter in the life of a grieving theater director — an intimate stage…

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David Ehrlich has written reviews for:

Time Out (7,510)
The A.V. Club (5,644)
Rolling Stone (4,035)
Indiewire (3,631)
Little White Lies (3,136)
Boxoffice Magazine (2,896)
AV Club (2,778)
Slate (2,081)
Film.com (1,892)
The Dissolve (1,478)

David Ehrlich is connected to:

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