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Last updated: 09 Jul 2026 at 22:49 UTC

Movie Reviews by David Ehrlich - Page 11 of 62

201-220 of 1,229 Reviews

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Review of Belfast (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Sep 2021

It was the best of times, it was the worst of times, and this scattershot crowd-pleaser renders them both in such broad strokes that it seems…

Review of Benediction (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Sep 2021

This is a film that trembles with a need for redemption that never comes, and the urgency of that search is palpable enough that you can feel…

Review of Benediction (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Sep 2021

This is a film that trembles with a need for redemption that never comes, and the urgency of that search is palpable enough that you can feel…

Review of The Mad Women's Ball (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 Sep 2021

The Mad Women’s Ball capably sells the fact that Salpêtrière was a naked reflection of the institutional sexism that existed outside its…

Review of 7 Prisoners (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Sep 2021

7 Prisoners is mostly powered by the natural tension of its premise, which is simple and gripping and develops along a linear arc from bad to worse…

Review of Fauci (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Sep 2021

Viewers are spared by the tender mercies of biodoc tropes, as “Fauci” puts a pin in the action to wind back the clock and walk us through…

Review of Cyrano (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Sep 2021

Is it good? In parts…

Review of C'mon C'mon (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Sep 2021

The results are a bit more wishy-washy than usual…

Review of King Richard (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Sep 2021

The film embodies its namesake’s oft-repeated — if increasingly suspect — ethos of making sure that fun comes first…

Review of Dune (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Sep 2021

In the end, Denis Villeneuve was all too right: Your television isn’t big enough for the scope of his Dune, but that’s only because this…

Review of The Power of the Dog (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Sep 2021

The Power of the Dog sticks its teeth into you so fast and furtively that you may not feel the sting on your skin until after the credits roll,…

Review of The Card Counter (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Sep 2021

That The Card Counter shakes your faith in the writer-director’s ability to beat the odds is part of its scabrous charm…

Review of The Hand of God (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Sep 2021

The Hand of God doesn’t always find the clearest way of knotting these various stories together, and the film’s second half — replete…

Review of Together (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 26 Aug 2021

Together may not be the best pandemic movie about a poison-tongued couple stuck in lockdown together, but it’s the first to recognize that…

Review of The Protégé (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 Aug 2021

The Protégé never even begins to cohere as a story about paying for old sins (the ending is a “huh” of the highest order), and its ostensible…

Review of Zeros and Ones (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 Aug 2021

Zeros and Ones isn’t much of an entertaining sit — watching it feels like dusting off a cryptic artifact from a bygone civilization, its…

Review of Reminiscence (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Aug 2021

It’s an absolute slog to watch Jackman row this way and that in search of something to justify this movie’s labored metaphors…

Review of Demonic (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Aug 2021

The 80 minutes of the movie that are set in flesh-and-blood reality can’t help but seem flat by comparison, as the thrust of the film’s…

Review of The Lost Leonardo (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Aug 2021

If this arresting documentary is too agog at its own story to intricately reckon with how 21st century geopolitics and technology have further…

Review of Days (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Aug 2021

Days becomes such a resonant addition to Tsai’s exhumed body of work because the filmmaker recognizes and embraces that uncharacteristically…

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David Ehrlich has written reviews for:

Time Out (7,510)
The A.V. Club (5,644)
Rolling Stone (4,035)
Indiewire (3,631)
Little White Lies (3,136)
Boxoffice Magazine (2,896)
AV Club (2,778)
Slate (2,081)
Film.com (1,892)
The Dissolve (1,478)

David Ehrlich is connected to:

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