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Last updated: 24 Jul 2026 at 17:28 UTC

Movie Reviews by Alison Willmore - Page 3 of 35

41-60 of 681 Reviews

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Review of Holy Spider (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 28 Oct 2022

It’s not the first film to try to disguise its titillation at violence, in particular against women, with blunt, larger themes…

Review of Aftersun (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 21 Oct 2022

It’s a work of masterful and almost unbearable melancholy…

Review of Aftersun (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 21 Oct 2022

It’s a work of masterful and almost unbearable melancholy…

Review of Till (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 17 Oct 2022

By framing Mamie’s story entirely in the context of her son’s death, Till keeps us on the outside of her transformation from a woman focused…

Review of Till (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 17 Oct 2022

By framing Mamie’s story entirely in the context of her son’s death, Till keeps us on the outside of her transformation from a woman focused…

Review of Stars at Noon (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 17 Oct 2022

Perverse” is a good overall description for Stars at Noon, a hypnotic but relentlessly disconcerting movie and never more so than in the…

Review of Triangle of Sadness (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Oct 2022

Östlund’s slog of a film is exceptional in the distance it creates between the viewer and its characters and in how comfortable its attempts…

Review of TÁR (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Oct 2022

It’s a total knockout, both austere and dryly hilarious, and its quality is impossible to consider separately from its colossal lead performance…

Review of Bros (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 02 Oct 2022

For all Eichner’s intentions to make history with the movie, it’s at its best when it frees itself from representing anything more than…

Review of The Woman King (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 21 Sep 2022

The Woman King is strongest when it immerses itself in the dynamics and the personalities of the Agojie…

Review of The Banshees of Inisherin (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 16 Sep 2022

The Banshees of Inisherin is like watching two cars slowly set out on a collision course ending in a crash that would be easily averted if…

Review of The Fabelmans (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 15 Sep 2022

The most interesting parts of this baggy, inevitably indulgent, and often spectacular work find him grappling with the idea of putting himself…

Review of Causeway (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 14 Sep 2022

Lawrence and Henry have a warm, natural chemistry, and that rapport really seems to guide where the movie ends up, instead of the other way around…

Review of Catherine Called Birdy (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 11 Sep 2022

It doesn’t water down her voice…

Review of Glass Onion: A Knives Out Mystery (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 11 Sep 2022

Glass Onion is bigger and more precisely designed than Knives Out, but what makes it a more satisfying movie is that it sits with its characters…

Review of Funny Pages (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 26 Aug 2022

A debut as packed with promise as with underdeveloped ideas…

Review of Emily the Criminal (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Aug 2022

Emily moves among immigrants, fellow ex-cons, and people like Youcef who are striving toward some sort of financial legitimacy, even as she…

Review of Bodies Bodies Bodies (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 09 Aug 2022

The appeal of the cast can’t change the fact that its members are playing incredibly soft targets instead of real characters…

Review of Prey (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 04 Aug 2022

The film itself is just fine, a nimbly directed but clunkily scripted action movie that follows a young Comanche woman named Naru (Legion’s…

Review of Prey (2022)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 04 Aug 2022

The film itself is just fine, a nimbly directed but clunkily scripted action movie that follows a young Comanche woman named Naru (Legion’s…

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Alison Willmore has written reviews for:

Village Voice (8,525)
Time Out (7,510)
The A.V. Club (5,644)
The Playlist (3,871)
New York Magazine (Vulture) (3,519)
AV Club (2,778)
Movieline (883)
BuzzFeed News (197)
IFC.com (108)

Alison Willmore is connected to:

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