Review of Catherine Called Birdy (2022) by Alison Willmore for New York Magazine (Vulture) — 11 Sep 2022
It doesn’t water down her voice. Instead, the self-lacerating, self-consumed filmmaker seems liberated by the act of adaptation, as though tempering her distinctive creative impulses gives her rein to make a movie that’s tender and more broadly crowd-pleasing, while still very much her own.
You can read the full review where it was originally posted online.
This review of Catherine Called Birdy (2022) was written by Alison Willmore and published by New York Magazine (Vulture) on 11 Sep 2022.
Catherine Called Birdy has generally received positive reviews.
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