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Last updated: 30 Jun 2026 at 09:07 UTC

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Review of by Alison Willmore for New York Magazine (Vulture) — 12 Aug 2022

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Emily moves among immigrants, fellow ex-cons, and people like Youcef who are striving toward some sort of financial legitimacy, even as she moves in the other direction. But she doesn’t show any sense of commonality with them, only fury that she’s been made to join them, which is the film’s most astringent aspect.

You can read the full review where it was originally posted online.

This review of Emily the Criminal (2022) was written by and published by New York Magazine (Vulture) on 12 Aug 2022.

Emily the Criminal has generally received positive reviews.

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