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Last updated: 18 Jul 2026 at 11:06 UTC

Movie Reviews by Alan Zilberman - Page 5 of 9

81-100 of 171 Reviews

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Review of The Shape of Water (2017)

By Alan Zilberman (171) for Brightest Young Things (103) on 16 Jan 2018

I suspect that many audiences may cringe at this film, or possibly be repulsed by it, but those who accept its weird premise will have their…

Review of Phantom Thread (2017)

By Alan Zilberman (171) for Brightest Young Things (103) on 16 Jan 2018

How Alma and Woodcock find harmony is fascinating, even a little odd, since they avoid the typical path of a couple in love…

Review of The Post (2017)

By Alan Zilberman (171) for Brightest Young Things (103) on 16 Jan 2018

Spielberg's latest works as entertainment, but he not so secretly wants the audience to run from the theaters and donate to the ACLU…

Review of Call Me by Your Name (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 14 Dec 2017

A lot of Call Me By Your Name has a hazy, meandering quality to it…

Review of The Disaster Artist (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 30 Nov 2017

Given his own failed attempts at becoming an auteur, it is all too perfect that James Franco finally finds his muse, successfully humanizing…

Review of Coco (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 22 Nov 2017

Coco is an improvement, drawing upon magic realism and dizzying technical detail to create an immersive entertainment that never condescends…

Review of The Farthest (2018)

By Alan Zilberman (171) for Washington City Paper (500) on 20 Nov 2017

Ultimately, The Farthest is a traditional documentary, brimming with detail and entertainment, and Reynolds does not even need to include Neil…

Review of Justice League (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 16 Nov 2017

To its detriment, Justice League constantly invites comparisons to the Marvel Cinematic Universe…

Review of No Greater Love (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 10 Nov 2017

No Greater Love gets at the camaraderie — and the contradictions — of military service in a way that few films ever have…

Review of Thank You for Your Service (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 25 Oct 2017

Writer-director Jason Hall astutely conveys these and other facets of the modern veteran’s experience, generating authentic drama, in scenes…

Review of The Killing of a Sacred Deer (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 25 Oct 2017

The Killing of a Sacred Deer is a pitiless film, with director Yorgos Lanthimos making absurdly high demands for anyone who dares buy a ticket…

Review of Breathe (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 18 Oct 2017

The story by screenwriter William Nicholson (“Everest”) jumps from one major episode in Robin’s life to another, but with none of those…

Review of Breathe (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 18 Oct 2017

The story by screenwriter William Nicholson (“Everest”) jumps from one major episode in Robin’s life to another, but with none of those…

Review of The Florida Project (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 11 Oct 2017

The Florida Project is not just a downer, although parts of it are harrowing…

Review of Marshall (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 10 Oct 2017

Director Reginald Hudlin handles the story with just enough finesse to make its details more thrilling than uneasy…

Review of Blade Runner 2049 (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 04 Oct 2017

Directed with more style than substance by Denis Villeneuve, Blade Runner 2049 improves upon the original film, even if it cannot capture what…

Review of Manolo: The Boy Who Made Shoes for Lizards (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 27 Sep 2017

The Boy Who Made Shoes for Lizards is so adoringly created, so utterly absent of anything resembling an investigative thought, that the film's…

Review of Woodshock (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 27 Sep 2017

Defiantly inscrutable, Woodshock can test a viewer’s patience, yet the filmmakers’ consistent self-confidence creates an alluring, oddly…

Review of Ex Libris: The New York Public Library (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 20 Sep 2017

This is slow, almost languid filmmaking, yet it’s a delight to watch the countless ways in which the library is still capable of lifting us…

Review of Mother (2016)

By Alan Zilberman (171) for Washington City Paper (500) on 14 Sep 2017

Parts of mother! are maddening, even obtuse, and yet Aronofsky plays it fair…

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