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Last updated: 18 Jul 2026 at 10:15 UTC

Movie Reviews by Alan Zilberman - Page 6 of 9

101-120 of 171 Reviews

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Review of Mother (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 14 Sep 2017

Parts of mother! are maddening, even obtuse, and yet Aronofsky plays it fair…

Review of mother! (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 14 Sep 2017

Parts of mother! are maddening, even obtuse, and yet Aronofsky plays it fair…

Review of The Villainess (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 13 Sep 2017

Without a clear narrative, the story recedes in the face of the movie’s stylized violence — which is, admittedly, glorious, even brazen…

Review of It (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 06 Sep 2017

But for all its shocking imagery, IT is more successful as a coming-of-age story-aided by a talented cast of unknowns-with the monster serving…

Review of Marjorie Prime (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 31 Aug 2017

Marjorie Prime will undoubtedly mean something specific to everyone who sees it…

Review of Rumble: The Indians Who Rocked the World (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 23 Aug 2017

Rumble may repeat a lot of what you already know, especially if you own The Last Waltz or any film about music in the 1960s…

Review of Menashe (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 09 Aug 2017

By focusing on the details of his characters’ lives, Weinstein finds common ground on both sides of the religious divide…

Review of Wind River (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 09 Aug 2017

This is not thriller that raises social awareness; it's another white savior fantasy, just in the package of a grim procedural…

Review of Atomic Blonde (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 27 Jul 2017

Atomic Blonde can be meandering, sometimes indulgent, yet its infrequent strong scenes overpower the weak ones…

Review of Dunkirk (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 20 Jul 2017

On top of the non-stop action, Nolan succeeds by acknowledging weak spots that have plagued his entire career…

Review of The B-Side: Elsa Dorfman's Portrait Photography (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 13 Jul 2017

Directed by famed documentarian Errol Morris, The B-Side: Elsa Dorfman's Portrait Photography is a perfect match of filmmaker and subject…

Review of Moka (2016)

By Alan Zilberman (171) for Washington City Paper (500) on 06 Jul 2017

There is a dearth of curiosity here, so instead of a dramatic thriller, Moka is a mirthless revenge tale that defaults toward drama…

Review of Baby Driver (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 29 Jun 2017

This is the rare, unique entertainment that takes classic action tropes, and turbocharges them…

Review of Moscow Never Sleeps (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 29 Jun 2017

O’Reilly’s ambitions notwithstanding, “Moscow” is uneven because of the inescapable nature of such interlocking narratives: some land…

Review of It Comes at Night (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 08 Jun 2017

After the success of recent low-budget horror films like Split and Get Out, It Comes at Night is far more demanding, even brazen…

Review of Wonder Woman (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 01 Jun 2017

With a story that moves at a steady clip and action that threads the needle between realism and supernatural exaggeration, Wonder Woman is…

Review of Churchill (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 31 May 2017

Biography, at its most useful, disabuses us from myth, but Churchill has no such ambitions. As both history and entertainment, it’s a drag…

Review of Alien: Covenant (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 18 May 2017

The franchise took a backslide with the undercooked Prometheus, but Alien: Covenant is a welcome return to form for director Ridley Scott and…

Review of 3 Generations (2016)

By Alan Zilberman (171) for Washington Post (9,851) on 10 May 2017

3 Generations starts with a unique and intimate point of view, only to become yet another indie drama about the difficulties of motherhood…

Review of Guardians of the Galaxy Vol. 2 (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 04 May 2017

If the first Guardians of the Galaxy is about bizarre heroes developing chemistry, then the sequel is a showcase for them as individuals…

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