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Last updated: 18 Jul 2026 at 09:12 UTC

Movie Reviews by Alan Zilberman - Page 4 of 9

61-80 of 171 Reviews

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Review of Avengers: Infinity War (2018)

By Alan Zilberman (171) for Washington City Paper (500) on 24 Apr 2018

If the Marvel Cinematic Universe aims to reshape popular entertainment, it needs to move beyond climax after climax with unremarkable, repetitive…

Review of The Rider (2018)

By Alan Zilberman (171) for Brightest Young Things (103) on 19 Apr 2018

What makes the film special is director Chloé Zhao's empathy for her subjects…

Review of Sweet Country (2018)

By Alan Zilberman (171) for Washington Post (9,851) on 16 Apr 2018

This shrewdly observed story asks another question: Is civilization possible in a nation where discrimination has such deep roots…

Review of Blockers (2018)

By Alan Zilberman (171) for Brightest Young Things (103) on 06 Apr 2018

We've come a long way since the absent parents of Risky Business…

Review of A Quiet Place (2018)

By Alan Zilberman (171) for Washington City Paper (500) on 04 Apr 2018

For a lean 90 minutes, no one will have a moment to consider such detail…

Review of A Quiet Place (2016)

By Alan Zilberman (171) for Washington City Paper (500) on 04 Apr 2018

For a lean 90 minutes, no one will have a moment to consider such detail…

Review of Chappaquiddick (2018)

By Alan Zilberman (171) for Washington Post (9,851) on 30 Mar 2018

The Kennedy dynasty has its share of admirers and critics alike, and — to the film’s credit — director John Curran and his screenwriters…

Review of Isle of Dogs (2018)

By Alan Zilberman (171) for Brightest Young Things (103) on 27 Mar 2018

One of the film's many joys is to watch Wes Anderson's furry, soft-spoken heroes handle an absence of nurture…

Review of Tomb Raider (2018)

By Alan Zilberman (171) for Brightest Young Things (103) on 16 Mar 2018

No one seems to realize they are supposed to have a little fun with this material…

Review of A Wrinkle in Time (2018)

By Alan Zilberman (171) for Washington City Paper (500) on 08 Mar 2018

This is heady stuff, and the script by Jennifer Lee trusts that children can intuit visual metaphors better than what they represent...DuVernay…

Review of Bombshell: The Hedy Lamarr Story (2018)

By Alan Zilberman (171) for Washington City Paper (500) on 01 Mar 2018

Bombshell is a decent, albeit uninspired introduction to a unique figure who secretly succeeded at everything she attempted…

Review of 12 Years a Slave (2013)

By Alan Zilberman (171) for Brightest Young Things (103) on 28 Feb 2018

12 Years a Slave is more important than disturbing…

Review of The Artist (2011)

By Alan Zilberman (171) for Brightest Young Things (103) on 28 Feb 2018

The nightmare is the best scene in The Artist because it subverts the tenets of silent film while articulating George's genuine terror....The…

Review of The Party (2017)

By Alan Zilberman (171) for Washington Post (9,851) on 21 Feb 2018

Potter's cast never overstays its welcome, giving us plenty to think - and talk - about, and in a scant 71 minutes…

Review of Black Panther (2018)

By Alan Zilberman (171) for Washington City Paper (500) on 15 Feb 2018

Like T'Challa's step toward becoming a world leader, Black Panther shows the next generation of comic book films how it's done…

Review of A Fantastic Woman (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 08 Feb 2018

This film is a straightforward drama-with flourishes of surreal imagery-that's anchored by a star-making performance…

Review of Vazante (2017)

By Alan Zilberman (171) for Washington City Paper (500) on 26 Jan 2018

Some scenes are languid, while others are seemingly pointless, yet they culminate toward a final shot as striking and powerful as anything…

Review of Mom and Dad (2018)

By Alan Zilberman (171) for Brightest Young Things (103) on 19 Jan 2018

The film's smart ideas give way to something typical. And up until now, typical is a word the filmmaker managed to avoid…

Review of The Final Year (2018)

By Alan Zilberman (171) for Washington Post (9,851) on 18 Jan 2018

The Final Year teeters toward insight, only to turn its attention to personalities…

Review of All the Money in the World (2017)

By Alan Zilberman (171) for Brightest Young Things (103) on 16 Jan 2018

The trouble is that Plummer's performance, which is unapologetic and deliciously mean, overshadows all the others…

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