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Review of Women Talking (2022)

By Siddhant Adlakha (174) for IGN (1,013) on 08 Dec 2022

A harrowing tale rooted in real events, Women Talking takes a stage-like approach to its debate between victimized women in a commune, but…

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Review of Emancipation (2022)

By Matthew Monagle (156) for Austin Chronicle (7,653) on 08 Dec 2022

Despite so many pieces that fail to fit together, Emancipation succeeds on entertainment alone…

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Review of Darby and the Dead (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 08 Dec 2022

With a refreshingly diverse cast and a compelling premise, there’s a lot to appreciate about Darby and the Dead — even with its muddied execution…

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Review of Something from Tiffany's (2022)

By Leigh Monson (105) for The A.V. Club (5,644) on 08 Dec 2022

Director Daryl Wein makes a commendable, if ultimately flawed, attempt at making a memorable holiday romance from Tamara Chestna’s anemic…

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Review of Darby and the Dead (2022)

By Chase Hutchinson (96) for Collider (1,032) on 08 Dec 2022

For all the ways that Darby and the Dead tries to give its abundantly safe story some life, it can’t break free of a narrative hellbent on…

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Review of White Noise (2022)

By Chase Hutchinson (96) for The Seattle Times (964) on 08 Dec 2022

While it is a work that can only hold a candle to the enduring piece of literature written all those decades ago, there is still something…

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Review of 2nd Chance (2022)

By Chase Hutchinson (96) for Collider (1,032) on 08 Dec 2022

It is via a willingness to push beyond the headlines and discover something more about humanity that 2nd Chance reveals a deeper sense of the…

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Review of The Leech (2022)

By Chase Hutchinson (96) for Collider (1,032) on 08 Dec 2022

While The Leech starts out sturdy yet simple, feeling more like a psychological thriller than anything, when it takes a leap into the full-fledged…

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Review of White Noise (2022)

By Chase Hutchinson (96) for The Seattle Times (964) on 08 Dec 2022

While it is a work that can only hold a candle to the enduring piece of literature written all those decades ago, there is still something…

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Review of Emancipation (2022)

By Martin Carr (79) for We Got This Covered (2,391) on 08 Dec 2022

Unfortunately, Smith’s would-be comeback vehicle is hamstrung by a weak script, paper-thin characters, and gets caught too often being overly…

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Review of Empire of Light (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 08 Dec 2022

By the end of Light, Mendes has taken his message a little too literally…

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Review of The Holiday (2006)

By Profamateur (71) on 08 Dec 2022

It is a cute movie with great actors. Maybe a bit long drawn-out. Good for a cold evening…

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Review of Spirited (2022)

By Snorkiss (67) on 08 Dec 2022

I've come to realise that Apple and Disney hate me, they seemingly go out of their way to create these ugly abominations that are almost anti-entertainment…

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Review of Spirited (2022)

By Snorkiss (67) on 08 Dec 2022

I've come to realise that Apple and Disney hate me, they seemingly go out of their way to create these ugly abominations that are almost anti-entertainment…

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Review of Fire Island (2022)

By Exceladeogun (55) on 08 Dec 2022

Fire Island is a queer movie seeped in representation and a sprawling gay culture…

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Review of Fire Island (2023)

By Exceladeogun (55) on 08 Dec 2022

Fire Island is a queer movie seeped in representation and a sprawling gay culture…

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Review of The Whale (2022)

By Murtada Elfadl (54) for The A.V. Club (5,644) on 08 Dec 2022

The Whale’s raison d’etre seems to be about being the engine driving Fraser’s long-awaited resurgence…

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Review of Devotion (2022)

By Michael Frank (47) for The Film Stage (3,162) on 08 Dec 2022

The built narrative struggles against the facts of its plot, unable to find rhythm in a fictionalized version of events…

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Review of Violent Night (2022)

By Marco Vito Oddo (40) for Collider (1,032) on 08 Dec 2022

While being far from perfect, Violent Night is just too fun not to revisit, which means it can become a new holiday classic in the years to come…

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Review of EO (2022)

By Alejandra Martinez (38) for Austin Chronicle (7,653) on 08 Dec 2022

Pure, tender cinema is rare nowadays, but EO delivers…

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