Browse Movie Reviews - Page 816 of 258,691

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Review of Terrifier 2 (2022)

By Jsisms (3) on 20 Jan 2023

This movie has a **** plot but it's good, it's a bit funny, it has its gore moments…

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Review of The Menu (2022)

By Zme-Ul (2) on 20 Jan 2023

This movie has no point, just why?! I can't answer you even if you look at it from the perspective of social commentary…

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Review of M3GAN (2022)

By Pedroignaciomb (1) on 20 Jan 2023

Megan foi de longe um dos filmes de terror mais horrendos que já assisti, as cenas são tão sem graça, e os sustos (que quase não acontecem)…

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Review of Day Shift (2022)

By Darklordlp7 (1) on 20 Jan 2023

The movie is great! Usually I don't watch these kind of movies but this one was great…

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Review of Possum (2018)

By Screendim (1) on 20 Jan 2023

Possum is a film that was recommended to me, and I expecting it to be just another boring indie flick. I was wrong, the film was brilliant…

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Review of The Intern (2015)

By Jackdiamond (1) on 20 Jan 2023

This movie is really a put down of successful women disguised as a feel good movie about women Even de Niro can't save this mess…

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Review of Evangelion: 3.0+1.0 Thrice Upon a Time (2021)

By Just_Rossi (1) on 20 Jan 2023

Luego del desastre que fue 3.33 no pensé que lo podrían arreglar, me equivoqué…

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Review of Puss in Boots: The Last Wish (2022)

By Innwy (1) on 20 Jan 2023

Yet another best quality animated movie of the year from Dreamworks along side The Bad Guys. Meaningful movie…

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Review of Barbarian (2022)

By Sasato (1) on 20 Jan 2023

I was really into it. At the beginning. Everything was suspicious and very well directed. At the end of the movie my stomache hurt…

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Review of The Menu (2022)

By Agaga (1) on 20 Jan 2023

Great movie, others commenting just dont understand it properly. Many hidden hints, intriguiging to watch…

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Review of What's Eating Gilbert Grape (1993)

By Bands13 (1) on 20 Jan 2023

The movie is quite entertaining but I absolutely dislike how they portrayed the mother figure…

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Review of Elesin Oba: The King's Horseman (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 19 Jan 2023

The drama, with characters trying to avert a tragedy under tragic circumstances, is cleverly-constructed, with its contrivances nicely obscured…

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Review of Broker (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 19 Jan 2023

With a less probing screenplay and an amplification of the manipulative elements, Broker could have been a generic melodrama…

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Review of Alice, Darling (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 19 Jan 2023

It’s a very strong performance from Kendrick, who disturbingly conveys the tiny and not so tiny symptoms of emotional abuse…

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Review of I Love My Dad (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 19 Jan 2023

However grotesquely culpable Chuck has been, you find yourself wanting to hug him. It’s a clever comic trick to bring off…

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Review of Shotgun Wedding (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 19 Jan 2023

It may be a bit corny, but Hammer keeps the funny lines coming and it has some pep that George Clooney and Julia Roberts’ recent romcom effort…

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Review of When You Finish Saving the World (2023)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 19 Jan 2023

Eisenberg is a fine writer and shows clear promise as a visual storyteller, but it becomes a chore to spend even an 88-minute movie with his…

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Review of Skinamarink (2023)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 19 Jan 2023

The long, seemingly monotonous shots in Skinamarink will be trying for some, yet there are rewards if you have the patience: occasional, eerie…

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Review of Alice, Darling (2022)

By Kyle Smith (1,916) for Wall Street Journal (3,071) on 19 Jan 2023

The intended overarching message is that vile men can exercise a kind of mind control over their innocent girlfriends. Perhaps…

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Review of Alice, Darling (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 19 Jan 2023

The larger problem is that there’s not enough here — in story terms or in the filmmaking — to sustain even the movie’s 90 minutes…

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