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Review of Past Lives (2023)

By Richard Lawson (539) for Vanity Fair (761) on 23 Jan 2023

Past Lives is not concerned with regret…

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Review of Past Lives (2023)

By Richard Lawson (539) for Vanity Fair (761) on 23 Jan 2023

Past Lives is not concerned with regret…

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Review of Run Rabbit Run (2024)

By Jessica Kiang (522) for Variety (12,700) on 23 Jan 2023

What it lacks in thematic newness, Run Rabbit Run makes up for in the sophistication of its moment-to-moment scarifying and its performances…

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Review of You Hurt My Feelings (2023)

By Benjamin Lee (469) for The Guardian (2,969) on 23 Jan 2023

Holofcener and Louis-Dreyfus again make for perfectly pitched partners…

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Review of Past Lives (2023)

By Benjamin Lee (469) for The Guardian (2,969) on 23 Jan 2023

Song is a writer of elegant restraint and as the final act progressed, I worried that perhaps this restraint might end up a little too delicate…

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Review of Past Lives (2023)

By Benjamin Lee (469) for The Guardian (2,969) on 23 Jan 2023

Song is a writer of elegant restraint and as the final act progressed, I worried that perhaps this restraint might end up a little too delicate…

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Review of Past Lives (2023)

By Mae Abdulbaki (411) for Screen Rant (892) on 23 Jan 2023

It’s soulful, tender — an understated triumph…

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Review of Past Lives (2023)

By Mae Abdulbaki (411) for Screen Rant (892) on 23 Jan 2023

It’s soulful, tender — an understated triumph…

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Review of You People (2023)

By Rodrigo Perez (382) for The Playlist (3,871) on 23 Jan 2023

Murphy and Hill do lift the film often, the former being wryly sarcastic and meanspirited but cool, the latter finding much comedy in being…

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Review of Mission: Impossible (1996)

By Habibiehakim (321) on 23 Jan 2023

De Palma is back with this classic that will go on until Tom Cruise was probably 90 years old, Mission: Impossible is simply one of De Palma's…

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Review of You Hurt My Feelings (2023)

By Chris Evangelista (306) for Slashfilm (971) on 23 Jan 2023

One of the things that makes You Hurt My Feelings so enjoyable is that it's simply a film about adults having adult conversations…

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Review of Past Lives (2023)

By Chris Evangelista (306) for Slashfilm (971) on 23 Jan 2023

The dreamy, deliberate pacing of all of this never feels overlong…

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Review of The Pod Generation (2023)

By Chris Evangelista (306) for Slashfilm (971) on 23 Jan 2023

What The Pod Generation lacks in cohesion it (mostly) makes up for in laughs…

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Review of Past Lives (2023)

By Chris Evangelista (306) for Slashfilm (971) on 23 Jan 2023

The dreamy, deliberate pacing of all of this never feels overlong…

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Review of Infinity Pool (2023)

By Clint Worthington (295) for Consequence (296) on 23 Jan 2023

There’s just more under the hood than your typical imitators: the antic disposition of the idle rich, the way infinite money can absolve…

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Review of The Fabelmans (2022)

By Jamie Graham (285) for Total Film (3,532) on 23 Jan 2023

While some might have preferred this story with its edges unsmoothed, The Fabelmans is better viewed as the tale of how Spielberg’s personal…

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Review of Past Lives (2023)

By Carlos Aguilar (278) for TheWrap (3,203) on 23 Jan 2023

Past Lives is an exquisitely wistful drama that speaks with an honesty so affectingly crisp it will turn your conceptions of love, identity…

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Review of Past Lives (2023)

By Carlos Aguilar (278) for TheWrap (3,203) on 23 Jan 2023

Past Lives is an exquisitely wistful drama that speaks with an honesty so affectingly crisp it will turn your conceptions of love, identity…

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Review of Alice, Darling (2022)

By Clarisse Loughrey (259) for The Independent (259) on 23 Jan 2023

With Alice, Darling, director Mary Nighy (daughter of actor Bill) delicately exposes how internalised and invisible the experience of narcissistic…

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Review of The Fabelmans (2022)

By Clarisse Loughrey (259) for The Independent (259) on 23 Jan 2023

Spielberg’s motivation for The Fabelmans has little to do with cementing his own myth – it’s a more tender, more bittersweet journey…

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