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Review of Infinity Pool (2023)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 23 Jan 2023

It’s a great compliment to say that Infinity Pool works completely divorced from the legacy of the man who made it…

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Review of Past Lives (2023)

By Peter Debruge (1,557) for Variety (12,700) on 23 Jan 2023

For all the films that have been made about love triangles, Song has fashioned hers in the form of a circle, defying so many of the clichés…

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Review of Past Lives (2023)

By Peter Debruge (1,557) for Variety (12,700) on 23 Jan 2023

For all the films that have been made about love triangles, Song has fashioned hers in the form of a circle, defying so many of the clichés…

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Review of Plane (2023)

By Rex Reed (1,506) for Observer (1,042) on 23 Jan 2023

There’s always room for another first-rate action thriller, and Plane breathlessly packs its punches in spades…

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Review of Past Lives (2023)

By Tim Grierson (1,482) for Screen Daily (1,021) on 23 Jan 2023

There are three superb performances at the picture’s centre, but none is more radiant than that of Greta Lee, gracefully capturing the spirit…

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Review of Past Lives (2023)

By Tim Grierson (1,482) for Screen Daily (1,021) on 23 Jan 2023

There are three superb performances at the picture’s centre, but none is more radiant than that of Greta Lee, gracefully capturing the spirit…

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Review of Past Lives (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 Jan 2023

The absolute immediacy of Lee’s performance allows you to feel every frame of Past Lives on your skin, which is crucial to a film that conveys…

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Review of Past Lives (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 Jan 2023

The absolute immediacy of Lee’s performance allows you to feel every frame of Past Lives on your skin, which is crucial to a film that conveys…

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Review of When You Finish Saving the World (2023)

By Anthony Lane (1,079) for The New Yorker (1,837) on 23 Jan 2023

This being an Eisenberg project—he also wrote the screenplay—the laughter comes with a wince attached as standard, and there is barely…

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Review of You Hurt My Feelings (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 23 Jan 2023

There’s a modesty about You Hurt My Feelings that makes it seem in some ways as simple and straightforward as its title…

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Review of The Pod Generation (2023)

By David Rooney (943) for The Hollywood Reporter (7,050) on 23 Jan 2023

For all the movie’s quite credible conjecture about technology rendering nature obsolete and procreation becoming the privilege of the wealthy,…

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Review of You Hurt My Feelings (2023)

By Jason Bailey (832) for The Playlist (3,871) on 23 Jan 2023

The new film most directly recalls “Enough Said,” Louis-Dreyfus and Holfocener’s collaboration of a decade ago, which also concerned…

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Review of The Pod Generation (2023)

By Jason Bailey (832) for The Playlist (3,871) on 23 Jan 2023

Barthes’ screenplay is clean; for the most part, it’s brainy but not didactic, and thoughtful but not dull…

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Review of Renegades (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 23 Jan 2023

Unfortunately, the dialogue sounds as if it was written by one of those newfangled AI chatbots, or maybe an actual human being who aspires…

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Review of Shadow Master (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 23 Jan 2023

Shadowy it is indeed, but mastery is more questionable…

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Review of You Hurt My Feelings (2023)

By Kate Erbland (681) for IndieWire (3,631) on 23 Jan 2023

The shagginess of it, the missteps, the rambling bits are pleasurable enough, and there are plenty of laughs and insights here, but there’s…

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Review of The Pod Generation (2023)

By Kate Erbland (681) for IndieWire (3,631) on 23 Jan 2023

Strong performances by both Clarke and Chiwetel Ejiofor, plus compelling production design from Clem Price Thomas (the pods and the wider world…

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Review of The Pod Generation (2023)

By Amber Wilkinson (674) for Screen Daily (1,021) on 23 Jan 2023

The Pod Generation blends its tech parody with more quirky observations of the anxieties of impending parenthood and, if Barthes doesn’t…

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Review of Kids vs. Aliens (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 23 Jan 2023

A gleefully gross adventure that bundles together all of wrestling-and-horror nerd Eisener's favorite obsessions (he's also part of the team…

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Review of You Hurt My Feelings (2023)

By Richard Lawson (539) for Vanity Fair (761) on 23 Jan 2023

Holofcener weaves these people and their problems together in delicate fashion, guiding us toward her thematic conclusions in a way that never…

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Page 799 of 258,691

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