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Review of The Deepest Breath (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2023

Given the brief period of time that separated romance and tragedy, it’s understandable that McGann might have been grasping at straws, but…

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Review of passages (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2023

The raw and resonant Passages is the kind of fuck around and find out love triangle that rings true because we aspire to its sexier moments…

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Review of Passages (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2023

The raw and resonant Passages is the kind of fuck around and find out love triangle that rings true because we aspire to its sexier moments…

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Review of Landscape with Invisible Hand (2023)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Jan 2023

Finley often seems to be at the mercy of his material’s strangeness…

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Review of Talk to Me (2023)

By Dennis Harvey (1,137) for Variety (12,700) on 28 Jan 2023

A somewhat mixed bag, as the script doesn’t fully ballast the serious tenor, this is nonetheless a confidently crafted effort with enough…

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Review of Talk to Me (2023)

By Dennis Harvey (1,137) for Variety (12,700) on 28 Jan 2023

A somewhat mixed bag, as the script doesn’t fully ballast the serious tenor, this is nonetheless a confidently crafted effort with enough…

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Review of Landscape with Invisible Hand (2023)

By Jason Bailey (832) for The Playlist (3,871) on 28 Jan 2023

There’s a curious shortage of honest-to-goodness laughs in Finley’s script; the humor is strained, and it doesn’t really land as science-fiction…

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Review of Scrapper (2023)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 28 Jan 2023

Scrapper is a sweet bit of fluff that’s trying too hard to be funny and offbeat and ends up being too often simply annoying…

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Review of Talk to Me (2023)

By Chuck Bowen (756) for Slant Magazine (8,298) on 28 Jan 2023

The film has a free-floating, nearly intangible sense of unease that greatly serves it…

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Review of Talk to Me (2023)

By Chuck Bowen (756) for Slant Magazine (8,298) on 28 Jan 2023

The film has a free-floating, nearly intangible sense of unease that greatly serves it…

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Review of Scrapper (2023)

By Guy Lodge (731) for Variety (12,700) on 28 Jan 2023

Regan’s debut rehashes a host of familiar elements from assorted kitchen-sink dramas and dysfunctional parent-child stories, painting them…

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Review of The Deepest Breath (2023)

By Simon Abrams (730) for TheWrap (3,203) on 28 Jan 2023

The retrospective nature of this documentary character study requires some creative liberties, but treating one of your two main characters…

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Review of Rye Lane (2023)

By Amber Wilkinson (674) for Screen Daily (1,021) on 28 Jan 2023

Allen-Miller achieves the Holy Grail of all great rom-coms in making us desperate to see the pair get together for good, while simultaneously…

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Review of Kokomo City (2023)

By Amber Wilkinson (674) for Screen Daily (1,021) on 28 Jan 2023

As with a lot of first-time feature filmmakers, Smith shows a tendency to want to throw everything a her film stylistically – including,…

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Review of Puss in Boots: The Last Wish (2022)

By Panchogul (602) on 28 Jan 2023

Cuando vi la primera película del Gato con Botas no creí que me iba a gustar tanto ya que no soy fan de las películas de Shrek ni tampoco…

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Review of Death Wish (1974)

By Voodoo123 (536) on 28 Jan 2023

This basic thriller has a few fleeting moments of classic vigilante action and some nice cinematography that at times work well…

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Review of Shortcomings (2023)

By Jessica Kiang (522) for Variety (12,700) on 28 Jan 2023

For all the film’s chatty insights into modern dating mores and its casually pointed discussions of racial identity, the formula to which…

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Review of passages (2023)

By Benjamin Lee (469) for The Guardian (2,969) on 28 Jan 2023

Rogowski makes for a believably odious yet charming cad while Whishaw and Exarchopoulos neatly underplay their heartbreak, subtly showing the…

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Review of Passages (2023)

By Benjamin Lee (469) for The Guardian (2,969) on 28 Jan 2023

Rogowski makes for a believably odious yet charming cad while Whishaw and Exarchopoulos neatly underplay their heartbreak, subtly showing the…

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Review of Landscape with Invisible Hand (2023)

By Benjamin Lee (469) for The Guardian (2,969) on 28 Jan 2023

A bafflingly botched misfire…

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Page 776 of 258,691

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