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Review of Your Place or Mine (2023)

By Amy Nicholson (961) for The New York Times (9,847) on 09 Feb 2023

No one in this movie is playing anything near a human being, although Kutcher occasionally resembles one when he lowers his head, crinkles…

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Review of Magic Mike's Last Dance (2023)

By Brian Lowry (913) for CNN (497) on 09 Feb 2023

Magic Mike’s Last Dance is less a coda to the franchise than a muted riff on it, an encore without much of a purpose…

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Review of Dead Snow (2009)

By Broyax (884) on 09 Feb 2023

Ce navet ne fait pas long feu : on se rend compte en effet très rapidement qu’il s’agit d’un étron sans budget, sans idées, sans scénario……

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Review of Your Place or Mine (2023)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Feb 2023

What should be breezy, featherweight fun — Reese! Ashton! A screenplay by the lady who wrote The Devil Wears Prada and 27 Dresses…

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Review of Your Place or Mine (2023)

By Kate Erbland (681) for IndieWire (3,631) on 09 Feb 2023

Brosh McKenna knows her tropes, and when she finally, finally brings rom-com vets Witherspoon and Kutcher together IRL (for an airport-set…

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Review of Empire of Light (2022)

By Mauro_Lanari (665) on 09 Feb 2023

(Mauro Lanari) Olivia Colman is the female counterpart of Casey Affleck: if there are them, there must be a drama, more often a false drama…

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Review of The Outwaters (2023)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 09 Feb 2023

The Outwaters stumbles because it fails to clear the second hurdle of any found footage movie: not simply answering why would the camera stay…

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Review of Sharper (2023)

By Steve Davis (486) for Austin Chronicle (7,653) on 09 Feb 2023

Sharper ticks so assuredly in execution the hitches won’t distract you – and that may be the biggest con of all…

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Review of Your Place or Mine (2023)

By Benjamin Lee (469) for The Guardian (2,969) on 09 Feb 2023

Even as glossy run-of-the-mill formula, it’s never even close to being as funny or romantic as it needs to be, devoid of fizzy one-liners…

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Review of Magic Mike's Last Dance (2023)

By Lindsey Bahr (430) for The Associated Press (882) on 09 Feb 2023

If there is a quibble, it’s that Hayek and Tatum don’t quite inspire the will-they-won’t-they tension that the movie seems to be asking…

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Review of Magic Mike's Last Dance (2023)

By Odie Henderson (402) for Boston Globe (6,852) on 09 Feb 2023

Despite the return of director Steven Soderbergh (who also serves, as usual, as editor and cinematographer), writer Reid Carolin, and star…

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Review of Breakfast at Tiffany's (1961)

By Royalguy07 (396) on 09 Feb 2023

I definitely get the whole Audrey Hepburn thing, she gives a great performance here…

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Review of Somebody I Used to Know (2023)

By Courtney Howard (393) for Variety (12,700) on 09 Feb 2023

The romantic comedy genre’s broad, patented hijinks and hilarity are indeed on display, but cleverly cloaked by a beautifully-realized portrait…

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Review of The Outwaters (2023)

By K. Austin Collins (343) for Rolling Stone (4,035) on 09 Feb 2023

Even when it seems at risk of spinning its wheels into oblivion, there’s an urgent pleasure in watching it spin…

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Review of Somebody I Used to Know (2023)

By Kevin Jagernauth (311) for The Playlist (3,871) on 09 Feb 2023

There’s not a single moment in the film that is palpably authentic or genuinely romantic, but the ensemble nonetheless puts their pluckiest…

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Review of Huesera: The Bone Woman (2023)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 09 Feb 2023

The remarkable debut from writer-director Michelle Garza Cervera is as effectively blood-curdling as it is intellectually incisive…

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Review of Somebody I Used to Know (2023)

By Jocelyn Noveck (253) for The Associated Press (882) on 09 Feb 2023

Parallels to “My Best Friend’s Wedding” come early and often…

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Review of Magic Mike's Last Dance (2023)

By Ross Bonaime (185) for Collider (1,032) on 09 Feb 2023

Even though the flaws in Last Dance are glaringly obvious—not only is this the worst of the Magic Mike franchise, it’s also clunky in a…

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Review of passages (2023)

By Ross Bonaime (185) for Collider (1,032) on 09 Feb 2023

Sachs’ story comes to life thanks to these three excellent performances that aren't afraid to explore the selfishness and desires of passion,…

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Review of Past Lives (2023)

By Ross Bonaime (185) for Collider (1,032) on 09 Feb 2023

Song’s work here is incredible, as this story of the past and present, and what it means for the future is a carefully handled story told…

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Page 736 of 258,691

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