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Review of Boogie (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Mar 2021

There is a maddeningly unconsidered quality to Boogie’s emotions about Asian American masculinity, and never more so than in the film’s…

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Review of The Mauritanian (2021)

By Mauro_Lanari (665) on 12 Mar 2021

(Mauro Lanari) Why should a director who debuted in 2006 with The Last King of Scotland be interested in Guantanamo in 2021, after the films…

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Review of The Grudge (2019)

By Mattbrady99 (654) on 12 Mar 2021

Note to myself: Just because Sam Raimi is the producer of the movie doesn't mean it will be good…

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Review of Monster Hunter (2020)

By Panchogul (602) on 12 Mar 2021

Por lo general me gusta la dupla de Paul w.s Anderson y Milla Jovovich, pero esta vez fue una completa decepción, pese a los grandiosos efectos…

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Review of Monster Hunter (2020)

By Panchogul (602) on 12 Mar 2021

Por lo general me gusta la dupla de Paul w.s Anderson y Milla Jovovich, pero esta vez fue una completa decepción, pese a los grandiosos efectos…

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Review of The Father (2020)

By Mae Abdulbaki (411) for Screen Rant (892) on 12 Mar 2021

The Father dives deep into the mind, delivering an engaging film that is unsettling, achingly sad, and is strengthened by Zeller’s assured…

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Review of Coming 2 America (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 12 Mar 2021

Despite some genuinely funny and endearingly nostalgic moments, Coming 2 America attempts to do way too much with its plot rather than keep it simple…

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Review of Crisis (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 12 Mar 2021

Crisis tries its hardest to be like Traffic, but fails in creating a satisfyingly thorough world with enough high stakes or tension…

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Review of Chaos Walking (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 12 Mar 2021

There are minimal bursts of potential lurking in Chaos Walking’s messy execution, but it doesn’t deliver much but stagnant characters and…

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Review of Night of the Kings (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 12 Mar 2021

Despite a weaker final act, Night of the Kings is spectacular, enthralling, and gripping…

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Review of Crisis (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 12 Mar 2021

Crisis tries its hardest to be like Traffic, but fails in creating a satisfyingly thorough world with enough high stakes or tension…

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Review of Crisis (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 12 Mar 2021

Crisis tries its hardest to be like Traffic, but fails in creating a satisfyingly thorough world with enough high stakes or tension…

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Review of Own the Room (2021)

By Alan Ng (404) for Film Threat (5,156) on 12 Mar 2021

Own The Room is fun, hopeful, and inspiring to any future entrepreneur and a must-watch…

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Review of Trust (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 12 Mar 2021

Although Trust gets off to a shaky start, once the players are introduced and the flirty game’s afoot, it’s a mostly fun ride…

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Review of Cherry (2021)

By K. Austin Collins (343) for Rolling Stone (4,035) on 12 Mar 2021

The movie is so overbearingly high on its own fizzy, clever stylishness that it strands the heart of its own story…

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Review of The Inheritance (2020)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 12 Mar 2021

Asili experiments with cinematic form as he considers “inheritance” as legacy, heritage, and tradition, resulting in an engrossing, challenging…

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Review of Dolittle (2020)

By Dharma (271) on 12 Mar 2021

Horrible, 'unfinished' film and a sour note to Downey after a successful run as Iron Man…

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Review of YES DAY (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 12 Mar 2021

It’s a lightweight film befitting its premise’s “good vibes only” origins—and its uninspiring construction makes its solid performances…

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Review of The Trial of the Chicago 7 (2020)

By R96Sk (195) on 12 Mar 2021

Very well made, up until that ending anyway. It's not a bad conclusion, but man is it cringe-inducing…

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Review of YES DAY (2021)

By R96Sk (195) on 12 Mar 2021

Rather unoriginal, though the cast make it more likeable than it would otherwise be…

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