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Review of In the Heights (2021)

By Dana Stevens (1,435) for Slate (2,081) on 21 May 2021

This movie succeeds at the hardest task a movie musical needs to pull off: the musical numbers, with few exceptions, soar in the way an in-story…

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Review of Playing with Sharks (2021)

By Alonso Duralde (1,351) for TheWrap (3,203) on 21 May 2021

Even people who felt nervous about stepping into a bathtub after “Jaws” might find themselves giving these denizens of the deep the benefit…

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Review of The Dry (2021)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 21 May 2021

At times, it can feel a bit like “Clue” with so many plausible characters and motives swirling around and around, but Bana keeps it grounded,…

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Review of Blast Beat (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 21 May 2021

Their many challenges wrap up too neatly, but there are enough genuine moments of truth in Blast Beat to make you wish there were even more…

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Review of In the Heights (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 21 May 2021

So exuberant and full of life that it would probably convince you the movies were back even if they hadn’t gone anywhere, In the Heights…

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Review of Army of the Dead (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 21 May 2021

Freed from the pretensions of his DC projects and working with the Netflix charge card, Snyder has a ball proving that trash can triumph on…

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Review of In the Heights (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 21 May 2021

This is a stirring valentine to a neighborhood and its people that, as the film tells it, stared gentrification in the eye and stood their…

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Review of Playing with Sharks (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 21 May 2021

The very personal nature of Taylor’s involvement with these magnificent creatures makes this quite an affecting account of their threatened…

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Review of Final Account (2021)

By Brian Lowry (913) for CNN (497) on 21 May 2021

The important label can weigh heavily on a documentary, but the description applies to Final Account, director Luke Holland's decade-long odyssey…

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Review of Bloodthirsty (2021)

By Jim Slotek (879) for Original-Cin (1,156) on 21 May 2021

Canadians already made the definitive young-woman-turned-werewolf movie, with 2000’s Ginger Snaps, which is a bar to clear if Bloodthirsty…

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Review of Total Recall (1990)

By Alejandro970 (859) on 21 May 2021

I do not know the original novel on which the film is based but it was to be expected that it is not entirely faithful…

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Review of In the Heights (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 May 2021

For all its rich tapestry and radiant ingenues, it's that casual centering of so many marginalized voices that makes the movie feel, in its…

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Review of Dream Horse (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 21 May 2021

There's nothing about this kind of film that is innately less formulaic than what you get when see a Marvel, Star Wars, or Fast & Furious movie;…

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Review of Benny Loves You (2019)

By Panchogul (602) on 21 May 2021

Es mas ridícula y bizarra de lo que parece, tiene un sentido del humor que no me convenció mucho ya que se siente demasiado tonto e infantil,…

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Review of In the Heights (2021)

By Brian Truitt (541) for USA Today (4,117) on 21 May 2021

With a musical that doesn’t shy away from tackling issues of racism and immigration, viewers will find themselves immersed in a song-filled,…

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Review of In the Heights (2021)

By Richard Lawson (539) for Vanity Fair (761) on 21 May 2021

Basking in the film’s ceaseless swirl is as intoxicating a moviegoing experience as one could want these days, a burst of communal joy (and…

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Review of Army of the Dead (2021)

By Richard Lawson (539) for Vanity Fair (761) on 21 May 2021

The Snyder of 2004 is utterly revived in Army of the Dead, a shrewdly mounted action film (as opposed to a horror one) that may be saying something…

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Review of Playing with Sharks (2021)

By Jessica Kiang (522) for Variety (12,700) on 21 May 2021

If the tone of the film is uniformly admiring, Taylor is often critical of the younger woman who appears in these frames, frankly expressing…

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Review of In the Heights (2021)

By Alissa Wilkinson (499) for Vox (725) on 21 May 2021

The nervy electricity and joy of the film, arriving at this moment in time, is an unbeatable combo…

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Review of Army of the Dead (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 21 May 2021

When the massacre starts, the movie gets better…

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