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Review of 12 Mighty Orphans (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 10 Jun 2021

Luke Wilson and Martin Sheen are respectably earnest as the caretakers of these blandly noble underdogs, but this sepia-tinged portrait slavishly…

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Review of Infinite (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 10 Jun 2021

Infinite was directed by Antoine Fuqua, who like this film is always very busy without any particular destination…

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Review of Holler (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 10 Jun 2021

[Barden] becomes the vessel to express Riegel’s quiet cri de coeur, which is not just yearning to escape one’s own circumstances but the…

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Review of Infinite (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 10 Jun 2021

A lukewarm soup of second-hand tropes that’s served in a portion too small to satisfy even the least discriminating thirst for slop, Infinite…

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Review of Skater Girl (2021)

By Amy Nicholson (961) for Variety (12,700) on 10 Jun 2021

It’s as uplifting and threadbare as a feel-good viral video stretched to feature length, yet Makijany’s ability to rally the troops, get…

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Review of Infinite (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 10 Jun 2021

Infinite is a soulless grind…

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Review of The Woman in the Window (2021)

By Broyax (884) on 10 Jun 2021

C’est l’histoire d’une femme qui ouvre trop de fenêtres dans Windows et tout-à-coup, elle ne sait plus où elle en est… son ordi…

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Review of Infinite (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 10 Jun 2021

The funny thing is, though, that it does somehow work despite its flaws…

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Review of Peter Rabbit 2: The Runaway (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 10 Jun 2021

If it’s annoying to watch a follow-up snark at itself while implicitly snarking at viewers for buying tickets to a crass-ified Peter Rabbit,…

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Review of Holler (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 10 Jun 2021

Riegel has said that Ruth’s story was inspired by her own challenges leaving the area…

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Review of Infinite (2021)

By A.a. Dowd (854) for The A.V. Club (5,644) on 10 Jun 2021

What Infinite fatally lacks is personality…

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Review of Peter Rabbit 2: The Runaway (2021)

By Jesse Hassenger (800) for The A.V. Club (5,644) on 10 Jun 2021

Uncharacteristically true to his word, Peter does less insufferable blathering this time around, but the subtitle The Runaway still threatens…

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Review of Infinite (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 10 Jun 2021

Infinite feels like a depressing fable about the movie industry…

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Review of The Hunchback of Notre Dame (1996)

By Panchogul (602) on 10 Jun 2021

Este clásico tiene madera de sobra para establecerse entre los 10 mejores clásicos de Disney de todos los tiempos, por su apoteósica puesta…

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Review of 13 Going on 30 (2004)

By Panchogul (602) on 10 Jun 2021

Ningún adolescente en su sano juicio quisiera despertarse una mañana cualquiera y tener 30 años, en la realidad es más bien al revés,…

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Review of Censor (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 10 Jun 2021

As a simple story of a moralizer being brought down by their own bloody instincts, it works; but asides about the catharsis of gore, and the…

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Review of In the Heights (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 10 Jun 2021

Trust me — it’s been ages since you’ve seen actors have this much fun in a movie…

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Review of Infinite (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 10 Jun 2021

It’s the worst kind of soulless committee-made product, lazy and risk-free, that need never and will never be thought of again. Infinite…

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Review of 12 Mighty Orphans (2021)

By Cary Darling (452) for San Francisco Chronicle (7,630) on 10 Jun 2021

The results may be sports-movie predictable in many ways, but the Mighty Mites’ impossible story is one deserving of resurrection from the…

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Review of Hitman's Wife's Bodyguard (2021)

By Cary Darling (452) for San Francisco Chronicle (7,630) on 10 Jun 2021

Full of action without thrills, comedy without laughs, noise without meaning and violence without reason (or even any cool combat choreography),…

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