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Review of Infinite (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 10 Jun 2021

Infinite has some impressive set pieces combining practical effects and CGI, and the terrific cast approaches the material with grim-faced…

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Review of Hitman's Wife's Bodyguard (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 10 Jun 2021

The star power trio of Samuel L…

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Review of Infinite (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 10 Jun 2021

The film doesn’t begin to know what to do with the reincarnation idea beyond a few sharply edited micro-flashbacks…

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Review of In the Heights (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 10 Jun 2021

Like the modest but wholly winning precursor to “Hamilton” it is, In the Heights works as an essentially apolitical embrace of the American…

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Review of In the Heights (2021)

By Ty Burr (2,612) for Boston Globe (6,852) on 10 Jun 2021

Like a cool lemon ice on a blistering summer day, In the Heights feels like a reward…

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Review of In the Heights (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 10 Jun 2021

The energy feels authentic, and endlessly renewable. The cultural matrix is specific, yet the passions are universal…

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Review of In the Heights (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 10 Jun 2021

This is an imperfect film that still captures an elusive and incandescent vibe, as alluring as a strand of lights strung up for an impromptu…

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Review of In the Heights (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 10 Jun 2021

If In the Heights is packed with enough bold choices to invite both effusive praise and endless nitpicking, that comes with the genre…

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Review of Holler (2021)

By Marc Savlov (2,019) for Austin Chronicle (7,653) on 10 Jun 2021

Character-driven movies this brutally honest about life below the poverty line are few and far between, but the ensemble cast and Riegel’s…

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Review of Infinite (2021)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 10 Jun 2021

Wahlberg and Ejiofor muster enough charisma to keep us watching, and Jason Mantzoukas cuts through the generic feel with some much-appreciated…

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Review of A Quiet Place Part II (2021)

By Tvjerry (1,783) on 10 Jun 2021

The original film was my first 5-star rating of 2018 (my review)…

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Review of In the Heights (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 10 Jun 2021

It feels like summer on film – the thing radiates Factor 50 good vibes, and boasts a cast so preposterously attractive, and with such sweltering…

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Review of Shiva Baby (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 10 Jun 2021

Seligman’s command of the flow and swell of comic tension is thrillingly intuitive – she knows exactly when to let it well up, and when…

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Review of Nobody (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 10 Jun 2021

For all the emptiness of Nobody, it’s sleekly watchable…

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Review of Infinite (2021)

By Peter Debruge (1,557) for Variety (12,700) on 10 Jun 2021

The more you start to nitpick this movie, the more innumerable its plot holes appear, until the whole thing collapses in on itself…

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Review of The Misfits (2021)

By Peter Debruge (1,557) for Variety (12,700) on 10 Jun 2021

The movie feels like both an advertisement for this posh, ultra-modern oasis and a late-20th-century smear of the people and culture one might…

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Review of Awake (2021)

By Peter Debruge (1,557) for Variety (12,700) on 10 Jun 2021

Awake is bonkers in a fun way from time to time . . . but gives the distinct impression that the most interesting crises are happening off screen…

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Review of The Misfits (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 10 Jun 2021

For the first 20 minutes or so — a blitz of eye candy and ear worms — its breezy action and the performers’ good cheer are enough to…

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Review of Censor (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 10 Jun 2021

A homage of sorts to the low-budget trash of the period — and a mordantly humorous jab at its excesses — Censor gazes on movie history…

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Review of Infinite (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 10 Jun 2021

The script doesn’t reincarnate so much as it recycles, drawing freely on the nested realities of “Inception,” the free-your-mind metaphysics…

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