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Review of America: The Motion Picture (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 30 Jun 2021

A throw-everything-against-the-wall collection of silly jokes that reimagines American history as a bro-tastic action flick, Matt Thompson’s…

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Review of The Forever Purge (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 30 Jun 2021

A satisfying action pic that finally realizes the potential of its pulp-meets-sociopolitics conceit…

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Review of The Forever Purge (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 30 Jun 2021

DeMonaco and Gout cook up such delicious comeuppance that you can’t help but indulge in the pleasure of revenge, even if the terrors and…

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Review of Fear Street: 1994 (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 30 Jun 2021

If the Day-Glo antics of Fear Street Part 1: 1994 are as tonally insecure as its teenage characters and a bit too broad to get under your skin,…

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Review of Crisis (2021)

By Mike Scott (1,178) for New Orleans Times-Picayune (573) on 30 Jun 2021

While Crisis can fairly be criticized as emotionally cold, with its heavy and humorless story generating more sympathy for its characters than…

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Review of Crisis (2021)

By Mike Scott (1,178) for New Orleans Times-Picayune (573) on 30 Jun 2021

While Crisis can fairly be criticized as emotionally cold, with its heavy and humorless story generating more sympathy for its characters than…

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Review of Crisis (2021)

By Mike Scott (1,178) for New Orleans Times-Picayune (573) on 30 Jun 2021

While Crisis can fairly be criticized as emotionally cold, with its heavy and humorless story generating more sympathy for its characters than…

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Review of The Boss Baby: Family Business (2021)

By Michael Rechtshaffen (1,086) for The Hollywood Reporter (7,050) on 30 Jun 2021

Returning director James McGrath and screenwriter Michael McCullers had an opportunity to build on an entirely workable formula, but instead…

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Review of Fear Street: 1994 (2021)

By A.a. Dowd (854) for The A.V. Club (5,644) on 30 Jun 2021

1994 channels that legacy of give and take, between teen horror of the page and screen, into a polished nostalgia object of secondhand thrills,…

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Review of 7 Days (2021)

By Lisa Kennedy (833) for Variety (12,700) on 30 Jun 2021

In the future, audiences may tire of movies about COVID-19. For the moment, however, 7 Days arrives as a funny, modest charmer…

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Review of The Forever Purge (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Jun 2021

Sound the alarm, hide the children and lock the doors: another Purge movie is here. And it’s deadlier, and dumber, than ever…

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Review of Fear Street: 1994 (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 30 Jun 2021

While Janiak is able to easily tick off the hallmarks of the genre, and perhaps convince those actually alive in the nineties that the entire…

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Review of The Forever Purge (2021)

By William Bibbiani (788) for TheWrap (3,203) on 30 Jun 2021

The Forever Purge sometimes loses its focus, but at its best, it’s still a riveting, violent, disturbing projection of how far America could…

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Review of First Date (2021)

By Bob Strauss (787) for San Francisco Chronicle (7,630) on 30 Jun 2021

First Date is a very ambitious independent film with a charming, casual attitude…

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Review of First Date (2021)

By Bob Strauss (787) for San Francisco Chronicle (7,630) on 30 Jun 2021

First Date is a very ambitious independent film with a charming, casual attitude…

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Review of First Date (2021)

By Bob Strauss (787) for San Francisco Chronicle (7,630) on 30 Jun 2021

First Date is a very ambitious independent film with a charming, casual attitude…

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Review of Zola (2021)

By Chuck Bowen (756) for Slant Magazine (8,298) on 30 Jun 2021

Janicza Bravo prioritizes character and personal eccentricity, in the process truly earning the screenplay’s cutting observations about how…

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Review of Black Widow (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Jun 2021

If Widow, with its winky one-liners and spandexed catsuits, is purely pop feminism, the movie's female gaze still reads like more than a cynical…

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Review of The Boss Baby: Family Business (2021)

By Kate Erbland (681) for IndieWire (3,631) on 30 Jun 2021

Flashier stuff isn’t up to task, from awkward character design (the adults are, let’s just say, crafted with less care than the kiddos)…

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Review of Zola (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 30 Jun 2021

The film is about the power of storytelling, and not in the cornball, self-congratulatory sense in which that phrase is normally deployed…

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