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Review of Black Widow (2021)

By Konyalikkc (1) on 17 Jul 2021

Filmin aksiyonu iyi güzel ama sona doğru aksiyon sahnelerinde Hızlı ve Öfkeliye benzedi iyice ama gayet izlenebilir bir film…

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Review of Black Widow (2021)

By Slowforest (1) on 17 Jul 2021

It's a pretty great movie! Wasn't amazing or anything but it's far from bad. I expected it to be a lot worse to be honest…

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Review of Black Widow (2021)

By Coalakomission (1) on 17 Jul 2021

Wow. What an overrated yo-yo of a movie. Where to start…

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Review of Black Widow (2021)

By Pepethxman (1) on 17 Jul 2021

Este filme, pudo haber tenido mas potencial, pero quede satisfecho por el final y la escena postcredito, lo que hace expandir el universo de Marvel…

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Review of Fear Street: 1666 (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 16 Jul 2021

What we have in these three films is the streaming equivalent of a summer horror beach book, an R.L…

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Review of Space Jam: A New Legacy (2021)

By Peter Travers (3,602) for ABC News (186) on 16 Jul 2021

Critics will pick on this overstuffed sequel to the 1996 animated-live-action hoops hit…

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Review of Summertime (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 16 Jul 2021

Director Carlos López Estrada’s Summertime creates a mosaic of pre-COVID Los Angeles (it was filmed in 2019) through words, action, dance…

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Review of No Ordinary Man (2021)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 16 Jul 2021

A fascinating deconstruction of history, culture, and identity, No Ordinary Man raises so many crucial questions — and answers them so thoughtfully…

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Review of Roadrunner: A Film About Anthony Bourdain (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 16 Jul 2021

It’s a fascinating, moving documentary that transcends mere profile piece to reclaim a legacy, and it’s as inspirational as its subject…

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Review of Space Jam: A New Legacy (2021)

By Katie Walsh (1,279) for The Seattle Times (964) on 16 Jul 2021

It wants to comment on the algorithms that rule our lives, spewing constantly recycled content at us seemingly at random, but it is exactly…

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Review of Die in a Gunfight (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 16 Jul 2021

Schiffli’s snarky and snide self-aware tone quickly grows wearisome, and his action sequences have a cheapness about them that’s distancing;…

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Review of Blue Bayou (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Jul 2021

Justin Chon’s overcranked but achingly heartfelt “Blue Bayou” is a case-study in how issue-driven melodramas are a double-edged sword…

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Review of Pig (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 16 Jul 2021

As it proceeds, it expands its vision and compassion, even as it de-escalates the tension…

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Review of Blue Bayou (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 16 Jul 2021

There’s enormous heart behind Justin Chon’s drama, and wrenching performances full of feeling from the writer-director and his co-star…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 16 Jul 2021

Bursting at the seams with hand-crafted visual delights and eccentric performances from a stacked ensemble entirely attuned to the writer-director’s…

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Review of Roadrunner: A Film About Anthony Bourdain (2021)

By David Fear (910) for Rolling Stone (4,035) on 16 Jul 2021

You do not need a documentary to prove that the tour guide of No Reservations and Parts Unknown contained multitudes…

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Review of Fear Street: 1666 (2021)

By A.a. Dowd (854) for The A.V. Club (5,644) on 16 Jul 2021

1666 offers about the best you could expect from it: a modestly rewarding resolution, like a finale that makes you glad you finished up the…

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Review of The Croods: A New Age (2020)

By Tara Brady (805) for The Irish Times (483) on 16 Jul 2021

The Croods: New Age remains a sequel that no one was crying out for. It’s busy. It’s well-staffed. It passes the time…

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Review of Space Jam: A New Legacy (2021)

By Tara Brady (805) for The Irish Times (483) on 16 Jul 2021

LeBron has charm to burn, even if his performance is unlikely to keep Denzel awake at night…

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Review of Fear Street: 1666 (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 16 Jul 2021

Ultimately, Fear Street is a shiny and expensive super-cut of callbacks and needle-drops. It is cool but empty horror worship…

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