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Review of Jolt (2021)

By Bob Strauss (787) for San Francisco Chronicle (7,630) on 22 Jul 2021

While it’s not always as sharp as it could be, the energy in Jolt never falters, and there are definitely amusing bits…

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Review of Old (2021)

By Todd Gilchrist (762) for TheWrap (3,203) on 22 Jul 2021

The filmmaker’s diminishing capacity for recognizing naturalistic human behavior once again presents a problem when the time comes for audiences…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 22 Jul 2021

More often than not, Snake Eyes: G.I…

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Review of Jolt (2021)

By Kate Erbland (681) for IndieWire (3,631) on 22 Jul 2021

For a film built on the wild concept that bonafide action bad-ass Kate Beckinsale has to wear an electrode-laden vest meant to shock her into…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Matt Singer (625) for ScreenCrush (954) on 22 Jul 2021

It takes the most popular G.I. Joe character and totally demystifies him until all that’s left is a blandly hunky dude with a sword…

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Review of Settlers (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 22 Jul 2021

Ultimately, the slow boil bleakness of the script, with its subtle ruminations of what it is to go on in a time of hopelessness, is what marks…

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Review of Old (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 22 Jul 2021

To be fair, at least Old captures the sense of time passing past too fast: Rarely have I felt more like my life was slipping away in the cinema…

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Review of Val (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 22 Jul 2021

Val, while often tragic, is also a deeply spiritual film: a benediction of forgiveness for those that wronged him, and a mea culpa to those…

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Review of Val (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 22 Jul 2021

Val, while often tragic, is also a deeply spiritual film: a benediction of forgiveness for those that wronged him, and a mea culpa to those…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Brian Truitt (541) for USA Today (4,117) on 22 Jul 2021

Pretty much everybody is kung fu fighting in “Snake Eyes,” a satisfying martial-arts action-adventure with two magnetic leads, a heap of…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Soren Andersen (496) for The Seattle Times (964) on 22 Jul 2021

The fight scenes, full of swordplay and gunfire, are choppily edited and somehow lackadaisical…

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Review of Charlatan (2021)

By Nicolas Rapold (488) for The New York Times (9,847) on 22 Jul 2021

Often as thorny as its subject but also oddly fascinated by his near-magical abilities, “Charlatan” is a temporary cure for the common biopic…

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Review of Old (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 22 Jul 2021

M. Night Shyamalan’s new thriller, Old, is campy, poorly written, candy-colored and subtle as Eurovision…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 22 Jul 2021

Golding is simply not the right actor for the part. He’s not exactly bad, just miscast and misused…

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Review of Old (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 22 Jul 2021

While Old is certainly a different kind of thriller, with plenty of elements that work to create a sense of tranquility and desperation in…

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Review of Old (2021)

By Nick Allen (397) for The Playlist (3,871) on 22 Jul 2021

Old is so playful that even the finale has an extra nature to it; it gives you way more than you thought you were going to get 90 minutes previous…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Michael Ordona (350) for Los Angeles Times (12,977) on 22 Jul 2021

Snake Eyes: G.I. Joe Origins ends up having enough good-time action sequences to make it worth the popcorn money…

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Review of Old (2021)

By Robert Daniels (336) for IGN (1,013) on 22 Jul 2021

Old isn't M…

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Review of Old (2021)

By Chris Evangelista (306) for Slashfilm (971) on 22 Jul 2021

For all of Old‘s flaws – and those flaws are bounteous! – it’s a film with energy; a film with life…

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Review of Old (2021)

By Clint Worthington (295) for Consequence (296) on 22 Jul 2021

Old, for its part, is quintessential Shyamalan of The Happening mold, a slick, amped-up B movie that hardly ever gives away that it’s in…

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