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Review of Old (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 22 Jul 2021

Viewers who can take it at face value may find a chill or two here, but ultimately Old can’t escape the goofiness of its premise long enough…

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Review of Joe Bell (2020)

By Katie Walsh (1,279) for The Seattle Times (964) on 22 Jul 2021

Joe Bell is a tale of emotional redemption for a man who relearns what it means to “be a man,” and his moments of triumph are the quietest ones…

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Review of Paper Spiders (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 22 Jul 2021

Taylor plays Dawn’s slide into this mental health crisis beautifully, and with conviction, and Owen is stunning as the high-achieving, yet…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Jul 2021

The action scenes are so inexplicably painful — and the character work in “Snake Eyes” is so unexpectedly strong — that your heart…

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Review of Old (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Jul 2021

By the time “Old” is over, the strongest feeling it leaves us with is that it just got 108 minutes shorter…

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Review of The Kid Detective (2020)

By Imthenoob (1,101) on 22 Jul 2021

The premise was interesting enough to give it a chance and I am glad I did…

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Review of Old (2021)

By Joshua Rothkopf (1,058) for Empire (3,446) on 22 Jul 2021

A Twilight Zone–worthy premise, subtly sold by ace make-up effects, makes for a decent-enough thriller, intriguing in the moment but ultimately…

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Review of Jolt (2021)

By Joe Leydon (915) for Variety (12,700) on 22 Jul 2021

Once again displaying the kinetic grace, authoritative physicality and heavy-duty footwear that have made her a cult favorite for fans of the…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Brian Lowry (913) for CNN (497) on 22 Jul 2021

As much as the movie appears to yearn to jump-start the franchise, it seems to have forgotten to bother with a coherent script, leaving one…

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Review of Old (2021)

By Brian Lowry (913) for CNN (497) on 22 Jul 2021

M. Night Shyamalan is up to his old tricks in Old, but after his heralded breakthrough with Split, he's back on a downward trajectory…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By David Fear (910) for Rolling Stone (4,035) on 22 Jul 2021

Not even the presence of Money Heist‘s Úrsula Corberó as a slinky villain known as the Baroness could stave off a sense of disappointment…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Jim Slotek (879) for Original-Cin (1,156) on 22 Jul 2021

There’s a little more room for characters to breathe. This is not to last, however…

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Review of Jolt (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 22 Jul 2021

Our enjoyment of her quest for blood thus hinges more upon how fun we consider the humor Wascha and Wexler provide than the action itself…

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Review of Midnight in the Switchgrass (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 22 Jul 2021

The atmosphere is thoroughly sleazy without being distinctive, and everything about the movie — the emotionless line readings, the half-baked…

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Review of Old (2021)

By A.a. Dowd (854) for The A.V. Club (5,644) on 22 Jul 2021

The film has flashes of clumsiness that should be familiar to those who have stepped before into the Twilight Zone of its maker’s imagination…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Jesse Hassenger (800) for The A.V. Club (5,644) on 22 Jul 2021

Snake Eyes: G.I. Joe Origins doesn’t reach the giddy, earnest heights of something like Aquaman or a Wachowski project…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 22 Jul 2021

Watching Snake Eyes (full title: Snake Eyes – G.I. Joe Origins) is not a physically painful ordeal…

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Review of Jolt (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 22 Jul 2021

Jolt is a perplexing mix-up of genre and intentions…

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Review of Old (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 22 Jul 2021

The movie, and I don’t think I’m over- or under-selling this, is pure chaos…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By William Bibbiani (788) for TheWrap (3,203) on 22 Jul 2021

The drama is muddled, the action is murky, and the storyline can’t help but get goofier and goofier until, by the end, every attempt this…

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