Browse Movie Reviews - Page 3,193 of 258,691

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Review of The Suicide Squad (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 03 Aug 2021

In The Suicide Squad, writer-director James Gunn has done the seemingly impossible: He has found the fun in the Suicide Squad…

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Review of Annette (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 03 Aug 2021

For audiences who prefer their movies to be as weird and even off-putting as possible, Annette comes fully wrapped as a pretentious, arty,…

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Review of The Green Knight (2021)

By Tvjerry (1,783) on 03 Aug 2021

Dev Patel stars as Sir Gawain, who’s sent on a quest by his uncle King Arthur to confront the ominous titular character…

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Review of Naked Singularity (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Aug 2021

Naked Singularity is the work of an untested filmmaker who knows how to streamline but lacks the chutzpah to swing for the fences…

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Review of Jungle Cruise (2021)

By Mike Scott (1,178) for New Orleans Times-Picayune (573) on 03 Aug 2021

A humor-laced, richly produced adventure benefiting greatly from the charisma and rapport of its lead actors, it's built in the mold of the…

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Review of 7 Days in Entebbe (2018)

By Broyax (884) on 03 Aug 2021

Incroyable détournement d’un avion d’Air France en 1976 par des terroristes allemands d’extrême-gauche en cheville avec d’autres…

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Review of Here Today (2021)

By Jim Slotek (879) for Original-Cin (1,156) on 03 Aug 2021

Here Today is the movie Crystal directs, a genial, monotone of good-heartedness that isn’t as funny as it wants to be or needs to be, but…

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Review of The Green Knight (2021)

By Richard Brody (868) for The New Yorker (1,837) on 03 Aug 2021

In The Green Knight, Lowery revises a legend, in style and in substance, in order to evoke a way of telling different stories, and of telling…

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Review of Night Drive (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 03 Aug 2021

While there are a few twists and turns to keep things fresh, a low budget forces the action to remain dialogue-heavy and more or less focused…

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Review of Pray Away (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 03 Aug 2021

The harms conversion therapy causes, and the tactics it uses, aren’t news at this point, and Pray Away is more interesting when it focuses…

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Review of Broken Diamonds (2021)

By Brent_Marchant (762) on 03 Aug 2021

With all of the talk about mental health that has dominated the public dialogue of late, the subject has been imbued with a newfound seriousness,…

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Review of Annette (2021)

By Mike D'angelo (730) for The A.V. Club (5,644) on 03 Aug 2021

The film’s tension between sincerity and falsity is nonstop palpable; virtually every scene threatens to collapse and implode due to the…

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Review of Annette (2021)

By Brian Truitt (541) for USA Today (4,117) on 03 Aug 2021

Annette attempts to be an avant-garde rock opera, a farce about modern star culture and a tragic family drama all in one bizarre, head-scratching…

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Review of Space Jam: A New Legacy (2021)

By David Sims (534) for The Atlantic (1,046) on 03 Aug 2021

So what if this movie essentially forgets to have a coherent plot or any real stakes; look at all of the exciting crossovers…

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Review of Pig (2021)

By David Sims (534) for The Atlantic (1,046) on 03 Aug 2021

Pig is a blend of absurd cooking melodrama, jokey revenge thriller, and allegory, and Cage is the connective tissue holding all those ridiculous…

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Review of The Exchange (2021)

By Brad Wheeler (426) for The Globe and Mail (Toronto) (4,018) on 03 Aug 2021

By Bertobellamy (400) on 03 Aug 2021

A very nice surprise! You'll enter 'Pig' expecting a big pile of bodies, but the sole thing that'll get piled up are tears…

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