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Review of Not Going Quietly (2021)

By Tomris Laffly (460) for Variety (12,700) on 12 Aug 2021

Along with his editor Kent Bassett, Bruckman weaves these events together rather conventionally yet thoughtfully, making plenty of room for…

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Review of Free Guy (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 12 Aug 2021

Sometimes Free Guy expands on its predecessors, just as often it doesn’t…

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Review of CODA (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 12 Aug 2021

Ruby is an underdog worth rooting for, and Jones (the Netflix series Locke & Key) is terrific…

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Review of Coda (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 12 Aug 2021

Ruby is an underdog worth rooting for, and Jones (the Netflix series Locke & Key) is terrific…

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Review of Respect (2021)

By Alan Ng (404) for Film Threat (5,156) on 12 Aug 2021

Liesl Tommy extracts the proper emotion from every scene, and the music is like truffles on top of a fantastic meal…

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Review of A Dark Foe (2021)

By Alan Ng (404) for Film Threat (5,156) on 12 Aug 2021

I’d describe A Dark Foe as a dark ride at Disneyland…

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Review of Don't Breathe 2 (2021)

By Derek Smith (382) for Slant Magazine (8,298) on 12 Aug 2021

The film’s gore is just as likely to invoke fear as to serve as a killer punchline to one of Rodo Sayagues’s set pieces…

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Review of The Lost Leonardo (2021)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 12 Aug 2021

The Lost Leonardo is one of those rare documentaries in which almost everyone involved volunteers their loose-lipped testimony, seemingly unconcerned…

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Review of Beckett (2021)

By Michael Ordona (350) for Los Angeles Times (12,977) on 12 Aug 2021

It’s a ‘70s paranoia movie in the best sense. And this is no hackneyed tribute; it’s complex, murky, propulsive…

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Review of Respect (2021)

By Robert Daniels (336) for New York Magazine (Vulture) (3,519) on 12 Aug 2021

The preceding two-plus hours of this 145-minute slog — Tommy’s threadbare hodgepodge of bad impressions, gratuitous filmmaking, and even…

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Review of In the Same Breath (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 12 Aug 2021

With her harrowing film In the Same Breath, Wang has established herself as the preeminent documenter of the pain inflicted by oppressive regimes…

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Review of A League of Their Own (1992)

By Habibiehakim (321) on 12 Aug 2021

A League Of Their Own is probably The Most Emotional And Heartwarming Sports Movie i've ever watch, though I kinda confused about the poster…

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Review of Don't Breathe 2 (2021)

By Chris Evangelista (306) for Slashfilm (971) on 12 Aug 2021

Perhaps Don’t Breathe 2 would work better for people who haven’t seen the first movie at all – they wouldn’t be lost, and they wouldn’t…

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Review of CODA (2021)

By Jocelyn Noveck (253) for The Associated Press (882) on 12 Aug 2021

Heder, who adapted her screenplay from the 2014 French film La Famille Belier, makes crucially effective decisions throughout, but none more…

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Review of Coda (2021)

By Jocelyn Noveck (253) for The Associated Press (882) on 12 Aug 2021

Heder, who adapted her screenplay from the 2014 French film La Famille Belier, makes crucially effective decisions throughout, but none more…

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Review of The Occupant (2020)

By Netflic (224) on 12 Aug 2021

The movie is made quite professionally but the script is too improbable. Not too impressed…

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Review of The Whooper Returns (2022)

By Netflic (224) on 12 Aug 2021

The movie is made quite professionally but the script is too improbable. Not too impressed…

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Review of Don't Breathe 2 (2021)

By Jude Dry (205) for IndieWire (3,631) on 12 Aug 2021

There may be fewer truly gory moments in Don’t Breathe 2 than in typical slasher fare, but they are just twisted enough to stick in the mind…

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Review of Not Going Quietly (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 12 Aug 2021

It is a warm and generous portrait, but the film lacks its central organizer’s propulsive shrewdness…

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Review of Homeroom (2021)

By Teo Bugbee (199) for The New York Times (9,847) on 12 Aug 2021

Like a diploma, it’s easy to imagine how the rewards of this carefully observed documentary could accrue with a little time…

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