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Review of Don't Breathe 2 (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 12 Aug 2021

Where the first film offered genuine scares, this one is suspenseful at best, snicker-worthy at worst, and will beg viewers to recall the time…

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Review of Free Guy (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 12 Aug 2021

Reynolds is a bit too glib and smug to buy as the romantic lead…

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Review of Crime Story (2021)

By Dennis Harvey (1,137) for Variety (12,700) on 12 Aug 2021

Worse things have happened to Oscar winners, but it’s still unfortunate to see both Richard Dreyfuss and Mira Sorvino flailing in the inept…

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Review of Respect (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 12 Aug 2021

The preceding two-plus hours of this 145-minute slog — Tommy’s threadbare hodgepodge of bad impressions, gratuitous filmmaking, and even…

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Review of Respect (2021)

By Brian Lowry (913) for CNN (497) on 12 Aug 2021

Earnest to a fault, Respect spells out a handsome tribute to Aretha Franklin, with Jennifer Hudson and her peerless singing pipes as its formidable…

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Review of The Meaning of Hitler (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 12 Aug 2021

The Meaning of Hitler takes a multifaceted, often counterintuitive approach to examining the underpinnings of fascism…

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Review of Don't Breathe 2 (2021)

By Jason Bailey (832) for The Playlist (3,871) on 12 Aug 2021

The picture is hobbled by the bland, lifeless color palette of too much contemporary genre filmmaking, as well as a buffet of unintentionally…

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Review of Don't Breathe 2 (2021)

By Jesse Hassenger (800) for The A.V. Club (5,644) on 12 Aug 2021

The increasingly ornate violence (much of it taking place in a newer if no less creaky location) fuels an effective thrill machine, and if…

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Review of Don't Breathe 2 (2021)

By William Bibbiani (788) for TheWrap (3,203) on 12 Aug 2021

Don’t Breathe 2 may not be the first horror movie sequel to try to transform the monster into an antihero, but it’s hard to think of another…

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Review of Midnight in the Switchgrass (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 12 Aug 2021

Even though it’s largely deeply undistinguished work, credit is due to whoever rustled up some great supporting actors for little roles around…

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Review of Days (2021)

By Dave White (762) for TheWrap (3,203) on 12 Aug 2021

Formally, Tsai’s approach is as spare as possible while still maintaining a loose sense of narrative…

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Review of The Loneliest Whale: The Search for 52 (2021)

By Brent_Marchant (762) on 12 Aug 2021

The search for connection is something that we all understand, not only as a social practice, but also as a personal and collective need…

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Review of CODA (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Aug 2021

While a little sentimentality never hurt anyone, what stands out when revisiting CODA outside the festival bubble are the parts that feel unguided…

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Review of Coda (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Aug 2021

While a little sentimentality never hurt anyone, what stands out when revisiting CODA outside the festival bubble are the parts that feel unguided…

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Review of Hillbilly Elegy (2020)

By Mattbrady99 (654) on 12 Aug 2021

Man, Amy Adams and Glenn Close really want that Oscar that they will star in something like 'Hillbilly Elegy…

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Review of CODA (2021)

By Glenn Whipp (553) for Los Angeles Times (12,977) on 12 Aug 2021

Because Heder — whose previous work includes the Netflix series “Orange Is the New Black” and “Glow” and feature “Tallulah” —…

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Review of Coda (2021)

By Glenn Whipp (553) for Los Angeles Times (12,977) on 12 Aug 2021

Because Heder — whose previous work includes the Netflix series “Orange Is the New Black” and “Glow” and feature “Tallulah” —…

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Review of True Romance (1993)

By Voodoo123 (536) on 12 Aug 2021

+Looks great in 4k hdr +Excellent ensemble cast +Great screenplay -Filled to the brim with clichés Enjoyable marriage of tarantino script…

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Review of Free Guy (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 12 Aug 2021

The script by Matt Lieberman and Zak Penn is hysterical, but director Shawn Levy must’ve sold his soul to the devil to secure this cast…

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Review of Don't Breathe 2 (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 12 Aug 2021

Don’t Breathe 2 is not only struggling for air but it’s struggling for purpose and meaning and hopefully this weekend, audiences too…

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