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Review of CODA (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 13 Aug 2021

Coda is an unqualified success in its relaxed, almost matter-of-fact treatment of how deaf families move through a largely uncomprehending society…

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Review of Coda (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 13 Aug 2021

Coda is an unqualified success in its relaxed, almost matter-of-fact treatment of how deaf families move through a largely uncomprehending society…

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Review of Free Guy (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 13 Aug 2021

Like its star, Ryan Reynolds — and maybe thanks to its star, Ryan Reynolds — the picture occasionally seems aware of its limitations…

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Review of Beckett (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 13 Aug 2021

Director Filomarino is onto something here…

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Review of CODA (2021)

By Brian Lowry (913) for CNN (497) on 13 Aug 2021

What could feel cliched at various turns deftly avoids that, capturing Ruby’s plight in a way that recalls any number of coming-of-age stories…

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Review of Coda (2021)

By Brian Lowry (913) for CNN (497) on 13 Aug 2021

What could feel cliched at various turns deftly avoids that, capturing Ruby’s plight in a way that recalls any number of coming-of-age stories…

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Review of Wendy (2020)

By Tara Brady (805) for The Irish Times (483) on 13 Aug 2021

The idiosyncratic Beasts of the Southern Wild is a tough act to follow, but Wendy’s similarly anthropological approach reinvigorates its…

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Review of Free Guy (2021)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 13 Aug 2021

Reynolds, as ever, seems both happy to be there and faintly self-mocking about his never-ending quest for validation…

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Review of The Suicide Squad (2021)

By Brent_Marchant (762) on 13 Aug 2021

I'm truly at a loss to understand all the praise that's being heaped on this steaming pile of crap…

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Review of Not Going Quietly (2021)

By Simon Abrams (730) for TheWrap (3,203) on 13 Aug 2021

Not Going Quietly credibly highlights the “moral stakes” of Barkan’s cause, as one of his colleague says, with a welcome mix of candor…

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Review of Days (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 13 Aug 2021

To enjoy Days, you have commit to its earthy dream logic. It is an extraordinary movie; it is not an easy sit…

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Review of CODA (2021)

By Brian Truitt (541) for USA Today (4,117) on 13 Aug 2021

The fantastic, funny and heartfelt dramedy CODA doesn’t astound by breaking the mold of teen romances and coming-of-age tales…

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Review of Coda (2021)

By Brian Truitt (541) for USA Today (4,117) on 13 Aug 2021

The fantastic, funny and heartfelt dramedy CODA doesn’t astound by breaking the mold of teen romances and coming-of-age tales…

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Review of Coda (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 13 Aug 2021

CODA is part of that fizzling genre of film, popular in the ’90s, in which you’re almost always on the verge of sobbing while watching it…

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Review of Respect (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 13 Aug 2021

The supporting voices are sublime. Alongside Hudson are Audra McDonald, Tituss Burgess and Broadway’s Hailey Kilgore and Saycon Sengbloh…

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Review of CODA (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 13 Aug 2021

CODA is part of that fizzling genre of film, popular in the ’90s, in which you’re almost always on the verge of sobbing while watching it…

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Review of Beckett (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 13 Aug 2021

Like Beckett trying to escape his pursuers, it’s a scrappy little film but one worth keeping up with…

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Review of CODA (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 13 Aug 2021

Most of all, [Heder] makes us see and believe in our bones that the Rossis are a real family with real chemistry, with real bonds and trials…

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Review of Coda (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 13 Aug 2021

Most of all, [Heder] makes us see and believe in our bones that the Rossis are a real family with real chemistry, with real bonds and trials…

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Review of Respect (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 13 Aug 2021

Whether it’s in a nightgown or in the full, glorious regalia Aretha Franklin adorned in her concert appearances, Hudson performs with the…

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