Browse Movie Reviews - Page 3,140 of 258,691

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Review of The Swarm (2024)

By Kyleb2112 (1) on 14 Aug 2021

Another indie movie that pretends to be deep, but actually verges sharply into the stupid ditch…

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Review of Hereditary (2018)

By Laighton (1) on 14 Aug 2021

This movie is a joke. To have it in the horror section is honestly despicable. Grow up, a 12 year old could watch this these days…

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Review of Fractured (2019)

By Popwz (1) on 14 Aug 2021

So many twists! Didn't expect the film to be as good as it was but the amount of sheer unexpected turns the film took left us hooked…

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Review of The Suicide Squad (2021)

By Dnswr (1) on 14 Aug 2021

The dumbest movie for the dumbest audience, the mainstream-people of nowadays who 50% voted for Donald Trump…

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Review of Respect (2021)

By Peter Travers (3,602) for ABC News (186) on 13 Aug 2021

This by-the-numbers Aretha Franklin biopic is all about Jennifer Hudson doing Aretha proud. And does she ever…

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Review of Free Guy (2021)

By Peter Travers (3,602) for ABC News (186) on 13 Aug 2021

Ryan Reynolds piles on the charm as a bland bank teller who discovers he’s just a pixelated extra in a violent video game…

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Review of Not Going Quietly (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 13 Aug 2021

Health care is unquestionably one of the most complicated problems the government ever has to grapple with, even without the obstacles and…

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Review of Free Guy (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 13 Aug 2021

Free Guy is a little like Ready Player One jumbled with The Truman Show, with some Sleeping Beauty and The Velveteen Rabbit mixed in…

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Review of Beckett (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 13 Aug 2021

Washington is a likable actor and easy on the eyes, but the character is unproductively one-dimensional and so is the performance, which remains…

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Review of Don't Breathe 2 (2021)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 13 Aug 2021

Álvarez and Sayagues have delivered a blood-spattered potboiler that’s no work of genius but is much better than average…

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Review of The Courier (2020)

By Robbie Collin (1,612) for The Telegraph (1,120) on 13 Aug 2021

Cooke’s sturdy, old-fashioned approach to staging and shooting pairs well with his leading actor’s precise, engaging performance, and makes…

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Review of CODA (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 13 Aug 2021

CODA is way too busy playing things cute…

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Review of Wendy (2020)

By Tim Robey (1,578) for The Telegraph (1,120) on 13 Aug 2021

The engagement with JM Barrie’s themes here is palpably sincere, and I found myself pulled along, not only by Zeitlin’s tugging showmanship,…

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Review of Coda (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 13 Aug 2021

CODA is way too busy playing things cute…

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Review of Respect (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 13 Aug 2021

Respect is fine, fitfully rousing, even respectable. And sometimes, it’s something more…

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Review of Days (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 13 Aug 2021

It’s a tale of profound isolation and thrilling connection, alert and alive and gorgeously sensual even as every moment carries a bittersweet…

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Review of Respect (2021)

By Rex Reed (1,506) for Observer (1,042) on 13 Aug 2021

Jennifer Hudson is so spectacular in Respect, the Aretha Franklin biopic, that she makes you overlook, ignore and eventually forgive the film’s…

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Review of Free Guy (2021)

By Rex Reed (1,506) for Observer (1,042) on 13 Aug 2021

The target audience — people who waste their lives playing video games — might be amused by a movie about devices designed for the sole…

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Review of Don't Breathe 2 (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 13 Aug 2021

What are the odds that a second group of people would be foolish enough to break into Stephen Lang’s home to try and steal something valuable…

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Review of Free Guy (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 13 Aug 2021

There is a fair degree of fun to be had before the script gets too caught up in its own mythology…

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