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Review of Deception (2022)

By Guy Lodge (731) for Variety (12,700) on 31 Aug 2021

Arnaud Desplechin’s Deception is a strange, stifling but frequently intriguing attempt to find a cinematic match for the literary voice of…

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Review of Hit the Road (2021)

By Jessica Kiang (522) for Variety (12,700) on 31 Aug 2021

Like this extraordinary, ordinary family, latticed together by love yet supremely alive in their own individual hearts, Panah Panahi is not…

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Review of Vacation Friends (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 31 Aug 2021

The talented quartet saves the movie, but making it great would take a rewrite…

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Review of Candyman (2021)

By Johnny Oleksinski (478) for New York Post (6,650) on 31 Aug 2021

While the movie could be a notch scarier, the unsettling imagery and slow build to chaos make me want another movie by this director stat…

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Review of Vacation Friends (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 31 Aug 2021

There’s nothing especially revelatory about Vacation Friends…

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Review of Candyman (2021)

By Rebecca31 (376) on 31 Aug 2021

Candyman 2021 is a direct sequel to the original 1992 Candyman and ignores the other sequels…

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Review of The Protégé (2021)

By Habibiehakim (321) on 31 Aug 2021

Terrific cast, terrific performance, terrific story, fantastic action, Maggie Q was badass, Jackson was amazing, Keaton was great, The Protégé…

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Review of Hit the Road (2021)

By John Bleasdale (289) for CineVue (2,163) on 31 Aug 2021

Hit the Road is damned near to being a masterpiece – if it isn’t simply one already…

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Review of The Alpinist (2021)

By Phil De Semlyen (265) for Time Out (7,510) on 31 Aug 2021

As a piece of watch-through-your-fingers outdoors filmmaking, The Alpinist stands right up alongside the Oscar-winning Free Solo…

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Review of Together (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 31 Aug 2021

Together, from director Stephen Daldry and writer Dennis Kelly, succeeds by candidly approaching the subject head-on—literally, as its two-handed…

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Review of The Year of the Everlasting Storm (2021)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 31 Aug 2021

Its bow in Cannes in the Special Screenings sidebar is amply justified by two whimsical exercises in art house cinema directed by Jafar Panahi…

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Review of Hit the Road (2021)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 31 Aug 2021

You can feel Panahi drifting away from his director forefathers, including his own father, testing out new ideas and methods to see if they…

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Review of Deception (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 31 Aug 2021

Like a beltway surrounding its hero’s bloviating ego trips and massive libido, the film keeps turning in circles around a subject that’s…

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Review of Deception (2022)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 31 Aug 2021

Like a beltway surrounding its hero’s bloviating ego trips and massive libido, the film keeps turning in circles around a subject that’s…

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Review of Yakuza Princess (2021)

By Keith Watson (196) for Slant Magazine (8,298) on 31 Aug 2021

This grimly self-serious tale of violent destiny is consistently drowned out by Vicente Amorim’s overreaching visual style…

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Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Mark Kennedy (184) for The Associated Press (882) on 31 Aug 2021

Beneath the beauty and the violence is a story about the ties between siblings, fatherly expectations, the modern world’s demands versus…

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Review of Some Like It Hot (1959)

By Aj_13 (170) on 31 Aug 2021

Great comedy. Monroe is great and gorgeus, Curtis is incredible portraying 3 different personalities and Lemmon's performance can't be any funnier…

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Review of Deception (2022)

By Lisa Nesselson (145) for Screen Daily (1,021) on 31 Aug 2021

This zig-zagging emotionally perceptive tale of an American writer abroad and the women he has bedded — or perhaps merely written about having…

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Review of Deception (2022)

By Lisa Nesselson (145) for Screen Daily (1,021) on 31 Aug 2021

This zig-zagging emotionally perceptive tale of an American writer abroad and the women he has bedded — or perhaps merely written about having…

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Review of Candyman (2021)

By Thom Ernst (141) for Original-Cin (1,156) on 31 Aug 2021

What the film lacks in traditional scares, it makes up for with an unsettling scenario that plays slowly throughout the film, indicating harsher…

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