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Review of Candyman (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 31 Aug 2021

Candyman is a work held together by thoughtful choices, and it has a lot to say…

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Review of Clean (2022)

By Nick Schager (2,294) for Variety (12,700) on 31 Aug 2021

Obvious and derivative in borderline-shameless fashion, it’s a B-movie knock-off with little originality and even less flair…

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Review of Clean (2022)

By Nick Schager (2,294) for Variety (12,700) on 31 Aug 2021

Obvious and derivative in borderline-shameless fashion, it’s a B-movie knock-off with little originality and even less flair…

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Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 31 Aug 2021

The latest Marvel movie, Shang-Chi and the Legend of the Ten Rings, is a rollicking, adventurous … wait, this is a Marvel movie…

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Review of The Night House (2021)

By Tvjerry (1,783) on 31 Aug 2021

With the exception of Candyman (I’ll review next week), most horror films these days involve some sort of evil spirit that’s haunting or…

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Review of American Sausage Standoff (2021)

By Liam Lacey (1,725) for Original-Cin (1,156) on 31 Aug 2021

Anyone considering a movie called American Sausage Standoff (a.k.a…

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Review of Flag Day (2021)

By Liam Lacey (1,725) for Original-Cin (1,156) on 31 Aug 2021

For the power of the performances and what they capture about guilt and family manipulation, Flag Day has a cathartic accuracy in many of its scenes…

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Review of The Nest (2020)

By Tim Robey (1,578) for The Telegraph (1,120) on 31 Aug 2021

The Nest is good on a first viewing and special on a second, when its cramped horizons and avoidance of full-bore tragedy are strategies for…

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Review of The Nest (2020)

By Tim Robey (1,578) for The Telegraph (1,120) on 31 Aug 2021

The Nest is good on a first viewing and special on a second, when its cramped horizons and avoidance of full-bore tragedy are strategies for…

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Review of The Year of the Everlasting Storm (2021)

By Peter Debruge (1,557) for Variety (12,700) on 31 Aug 2021

Here we have seven escape routes, each one reconnecting us to a world inevitably transformed by the pandemic — a world where art lives on…

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Review of Everybody's Talking About Jamie (2021)

By Peter Debruge (1,557) for Variety (12,700) on 31 Aug 2021

The songs are nearly all bouncy, look-at-me numbers intended for Jamie and his inner circle…

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Review of Everybody's Talking About Jamie (2021)

By Peter Debruge (1,557) for Variety (12,700) on 31 Aug 2021

The songs are nearly all bouncy, look-at-me numbers intended for Jamie and his inner circle…

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Review of Together (2021)

By Rex Reed (1,506) for Observer (1,042) on 31 Aug 2021

Exploring the suffocating complexities of domestic life in the social isolation of quarantine, this volatile couple explores the shifting values…

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Review of Martyrs Lane (2022)

By Wendy Ide (1,500) for Screen Daily (1,021) on 31 Aug 2021

It’s the kind of horror which eschews jump scares in favour of a more subtle, gauzy sense of unease, a slow-burning discomfort that creeps…

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Review of Hit the Road (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 31 Aug 2021

Thrillingly inventive, satisfyingly textured and infused with warmth and humanity, this is a triumph…

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Review of The Year of the Everlasting Storm (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 31 Aug 2021

Consisting of three non-fiction segments and four narrative instalments, the film is refreshing in its understated modesty…

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Review of Hell Fest (2018)

By Thequietgamer (1,082) on 31 Aug 2021

Remember in the '80s when slasher flicks were a dime a dozen? How they all had little themes like summer camp or some random holiday…

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Review of Yakuza Princess (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 31 Aug 2021

The whole is not without flaws and eventually falls prey to the “this was really an origin story” bid for sequels, but it is enjoyable…

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Review of Worth (2021)

By Ignatiy Vishnevetsky (836) for The A.V. Club (5,644) on 31 Aug 2021

The film, however, struggles to make a point under Colangelo’s stolid direction, losing itself in thinly drawn subplots while trying to give…

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Review of Deception (2022)

By Guy Lodge (731) for Variety (12,700) on 31 Aug 2021

Arnaud Desplechin’s Deception is a strange, stifling but frequently intriguing attempt to find a cinematic match for the literary voice of…

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