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Review of C'mon C'mon (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Sep 2021

The results are a bit more wishy-washy than usual…

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Review of King Richard (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Sep 2021

The film embodies its namesake’s oft-repeated — if increasingly suspect — ethos of making sure that fun comes first…

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Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 03 Sep 2021

Destin Daniel Cretton, director of Just Mercy and Short Term 12, continues Marvel’s reasonably successful practices of unlikely hires from…

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Review of Dune (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 03 Sep 2021

The storytelling lacks the clean lines to make it consistently propulsive…

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Review of Spencer (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 03 Sep 2021

Not everything lands in Spencer, and I often wondered if the film was so set on bucking convention that it would alienate its audience…

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Review of C'mon C'mon (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 03 Sep 2021

It’s a wispy yet insightful and emotionally satisfying film…

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Review of The Witcher: Nightmare of the Wolf (2021)

By Broyax (884) on 03 Sep 2021

Ce long-métrage d’animation est nettement mieux que la série, laquelle n’était qu’un nid d’impostures et un flot de conneries ininterrompues…

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Review of The Year of the Everlasting Storm (2021)

By Richard Brody (868) for The New Yorker (1,837) on 03 Sep 2021

The films range widely in form—documentary, fiction, hybrid, and unclassifiable—as well as in tone, subject, style, and, for that matter,…

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Review of Annette (2021)

By Tara Brady (805) for The Irish Times (483) on 03 Sep 2021

Working from a libretto by the cult band Sparks, cult director Leos Carax’s English-language debut is unlikely to please mayonnaise mainstream…

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Review of Here Today (2021)

By Tara Brady (805) for The Irish Times (483) on 03 Sep 2021

At times, Here Today feels like looking at a tableau vivant or courtly fool antics. No matter: Crystal is still the jester to beat…

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Review of Dune (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Sep 2021

The sheer awesomeness of Villeneuve's execution — there might not be another film this year, or ever, that turns one character asking another…

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Review of Julia (2021)

By Guy Lodge (731) for Variety (12,700) on 03 Sep 2021

Julia offers us glimpses of a complex, brittle personality beneath the robust persona, but is either too cautious or too genuinely besotted…

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Review of Yakuza Princess (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 03 Sep 2021

There’s a lot of walking and talking, but this thing never really moves fast enough, not even during its action scenes…

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Review of Julia (2021)

By Kate Erbland (681) for IndieWire (3,631) on 03 Sep 2021

At just 95 minutes, Cohen and West hit the bullet points of Child’s life, much of it told through her own archival interviews and personal…

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Review of Dune (2021)

By James Mottram (656) for Total Film (3,532) on 03 Sep 2021

An astounding spectacle, vast in scale and ambition. Prepare to have your breath snatched away…

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Review of Sweet Girl (2021)

By Mattbrady99 (654) on 03 Sep 2021

Jason Momoa alone got me through this, but man that twist ending ruined what was already an uneven movie…

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Review of Inspector Gadget (1999)

By Mattbrady99 (654) on 03 Sep 2021

Since this movie is non-stop random sound effects, I've got one that sums up the whole movie: (link omitted per site policy)…

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Review of Eagle Eye (2008)

By Mattbrady99 (654) on 03 Sep 2021

Wow, I can't believe David Fincher made this. To be fair, Fincher does look like the type of guy who would make a movie like this…

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Review of Dune (2021)

By Brian Truitt (541) for USA Today (4,117) on 03 Sep 2021

The sci-fi epic Dune boasts a few films’ worth of giant sandworms, amazing spaceships, cosmic armies and galactic political drama, though…

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Review of Dune (2021)

By Richard Lawson (539) for Vanity Fair (761) on 03 Sep 2021

With Dune, Villeneuve has the chance to right the wrongs of David Lynch’s 1984 misfire (a misfire according to some, anyway) and truly honor…

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