Browse Movie Reviews - Page 3,030 of 258,691

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Review of Cinderella (2021)

By Tvjerry (1,783) on 04 Sep 2021

This latest take on the classic was written/directed by Kay Cannon, whose best known as the writer of the Pitch Perfect films…

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Review of Last Night in Soho (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 04 Sep 2021

Wright is both a gifted stylist and master technician, and Soho moves as smoothly as a Maglev train, gliding on an invisible cushion of its…

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Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Wendy Ide (1,500) for The Observer (UK) (826) on 04 Sep 2021

Cretton negotiates potential cliches such as flashback sequences and that hoariest of old chestnuts, the training montage, with a gravity-defying…

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Review of Last Night in Soho (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 04 Sep 2021

It’s a blast. Last Night In Soho is the kind of good time which isn’t over until someone’s either crying or bleeding…

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Review of Luca (2021)

By Imthenoob (1,101) on 04 Sep 2021

Luca follows the Disney trend of putting a random place in the world, throwing in a generic copy and past plot/characters, and calling it a…

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Review of National Treasure (2004)

By Imthenoob (1,101) on 04 Sep 2021

There's no doubt that it is a fun and entertaining movie so critics hating on this movie so severely kind of baffles me…

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Review of Last Night in Soho (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 04 Sep 2021

Last Night in Soho is an immensely pleasurable film that delights in playing with genre, morphing from time-travel fantasy to dark fairy tale,…

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Review of The Art of Self-Defense (2019)

By Alejandro970 (859) on 04 Sep 2021

If you think Cobra Kai's teacher and students are savages, you haven't seen anything yet…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Sep 2021

Dispatch often feels like the filmmaker in concentrate form, both his best and worst instincts on extravagant display…

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Review of C'mon C'mon (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Sep 2021

Another rich creation in Mills' bittersweet, gently profound collisions of art and life…

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Review of Last Night in Soho (2021)

By Guy Lodge (731) for Variety (12,700) on 04 Sep 2021

Wright’s particular affections for B-movies, British Invasion pop and a fast-fading pocket of urban London may be written all over the film,…

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Review of Last Night in Soho (2021)

By Neil Smith (699) for Total Film (3,532) on 04 Sep 2021

A lot of thrilling, dazzling, sometimes frightening fun…

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Review of Last Night in Soho (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 04 Sep 2021

Given all that it’s got going for it – and it has Taylor-Joy descending a night club staircase in a pink halterneck swing-hem dress and…

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Review of Vacation Friends (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 04 Sep 2021

Vacation Friends finds its humor in the disconcerting scenarios the characters find themselves in, but it never evolves past its empty premise…

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Review of Wild Indian (2021)

By Bertobellamy (400) on 04 Sep 2021

Good performances from both leads, but the ambiguity around Makwa is confusing…

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Review of The Terminal (2004)

By Habibiehakim (321) on 04 Sep 2021

The Terminal is Spielberg's most entertaining, funny, and romantic movie, all in one since Indiana Jones And The Last Crusade…

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Review of Last Night in Soho (2021)

By Xan Brooks (287) for The Guardian (2,969) on 04 Sep 2021

British writer-director Edgar Wright takes a grab-bag of 1960s ingredients, paints them up and makes them dance to his tune…

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Review of Last Night in Soho (2021)

By Phil De Semlyen (265) for Time Out (7,510) on 04 Sep 2021

It all makes for an immersive evocation of time and place, and a more sober, if still stylish, filmmaking flex from Wright…

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Review of Dune (2021)

By Steve Pond (235) for TheWrap (3,203) on 04 Sep 2021

Villeneuve’s Dune is both dazzling and frustrating, often spectacular and often slow…

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Review of Last Night in Soho (2021)

By Nicholas Barber (220) for IndieWire (3,631) on 04 Sep 2021

Left behind is [Wright's] trademark hyperactive editing and insistent post-modernism; in its place is flowing movement and intense emotion…

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