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Review of Zack Snyder's Justice League (2021)

By Bails104 (1) on 08 Sep 2021

I hated Man of Steel and BvS, but this just had so much heart. Everything you could want from a Justice League movie…

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Review of Come from Away (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Sep 2021

The stage magic here is the simplicity of the production — just characters in chairs, swaying in time to simulate a bus ride, singing as they do…

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Review of The Lost Daughter (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 07 Sep 2021

To call The Lost Daughter an assured debut is to do it a slight disservice—assurance suggests that a filmmaker knows everything going in…

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Review of The Card Counter (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 07 Sep 2021

As with First Reformed, Schrader crashes right through the boundaries separating the literal from the surreal…

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Review of He's All That (2021)

By Tvjerry (1,783) on 07 Sep 2021

Obviously, this is gender switch on the 1999 film She’s All That…

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Review of Finding You (2021)

By Liam Lacey (1,725) for Original-Cin (1,156) on 07 Sep 2021

I was intrigued to find that Finding You was not produced by an AI romance plot generator, but an actual book — Jenny B…

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Review of Fauci (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 07 Sep 2021

More informational than revealing, John Hoffman and Janet Tobias’ documentary makes the case that in times of great uncertainty concerning…

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Review of Fauci (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Sep 2021

Viewers are spared by the tender mercies of biodoc tropes, as “Fauci” puts a pin in the action to wind back the clock and walk us through…

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Review of Bodied (2018)

By Thequietgamer (1,082) on 07 Sep 2021

Bodied is a wide-reaching satire that bodies everyone from the overly P.C…

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Review of Language Lessons (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 07 Sep 2021

As a performer, Morales is laughably smart, sympathetic, and engaging, and what’s so clever about Language Lessons is the deployment of that allure…

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Review of Azor (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 07 Sep 2021

Azor is Fontana’s first feature, and what’s impressive is how coolly he avoids the temptation to put on a big show, preferring more delicate…

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Review of Sundown (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 07 Sep 2021

As a character study of a man with good reason to wean himself off the very basic human instinct of hope and teach himself, even at some personal…

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Review of Sundown (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 07 Sep 2021

As a character study of a man with good reason to wean himself off the very basic human instinct of hope and teach himself, even at some personal…

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Review of The Crying Game (1992)

By Broyax (884) on 07 Sep 2021

Un film certainement atypique sur l’enlèvement d’un soldat par l’IRA, puis ce gars qui noue une relation avec la compagne de ce dernier…

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Review of The Card Counter (2021)

By Jim Slotek (879) for Original-Cin (1,156) on 07 Sep 2021

A tale of trauma told, fittingly, with a poker face, Paul Schrader’s The Card Counter is a sure-handed rumination on redemption and finding…

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Review of Belfast (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Sep 2021

Branagh's genuine affection and nostalgia for his subject suffuse the movie; if only the misty romanticism of his story could match it…

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Review of The Power of the Dog (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Sep 2021

Unless you're one of the few who's read Thomas Savage's 1967 book of the same name, on which the script is based, there's rarely a moment that…

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Review of King Richard (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Sep 2021

Green (who made the small, affecting 2018 indie Monsters and Men and this year's little-seen Joe Bell) hasn't reinvented the underdog wheel,…

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Review of Small Engine Repair (2021)

By Simon Abrams (730) for TheWrap (3,203) on 07 Sep 2021

The darkly funny American indie drama Small Engine Repair works best when it’s a hangout comedy starring three schlubby New England burnouts…

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Review of Worth (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 07 Sep 2021

Worth seems to get it, all of it, in a way that films of this type rarely do, which makes it all the more irritating when it appears to retreat…

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