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Review of The Mad Women's Ball (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 Sep 2021

Contrived and possibly overheated though the film might be at times, there is real storytelling gusto to it, and Laurent punches it across…

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Review of The Starling (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 12 Sep 2021

Every implausible scene, every unconvincing character, every contrived dollop of symbolism, every toe-curlingly misjudged and unearned emotional…

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Review of The Eyes of Tammy Faye (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 12 Sep 2021

Chastain and Garfield give performances that are brashly entertaining but also canny and layered, as the characters get caught up in something…

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Review of The Starling (2021)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 12 Sep 2021

The smooth professionalism of so many outstanding participants can’t help but elevate a very ordinary film a little bit higher…

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Review of The Eyes of Tammy Faye (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 12 Sep 2021

As a performance piece, The Eyes of Tammy Faye connects. But is that enough…

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Review of The Starling (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 12 Sep 2021

While this kind of manipulative melodrama is often easy to dismiss, what makes The Starling even more frustrating is the amount of talented…

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Review of The Guilty (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 12 Sep 2021

Jake Gyllenhaal delivers as one would expect, proving again that he’s one of the most consistent actors alive…

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Review of The Starling (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 12 Sep 2021

The actors lend sincerity to the proceedings, but the film keeps cheating to achieve its dramatic payoffs…

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Review of The Mad Women's Ball (2021)

By Alonso Duralde (1,351) for TheWrap (3,203) on 12 Sep 2021

What some might find dramatically unsatisfying about the film’s climax directly comments on the inequities of the era and the limited options…

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Review of The Eyes of Tammy Faye (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 12 Sep 2021

That blend of tones is not always smoothly handled, but there’s enough heart in its express train of ambition, flaws and fallout to allow…

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Review of The Mad Women's Ball (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 Sep 2021

The Mad Women’s Ball capably sells the fact that Salpêtrière was a naked reflection of the institutional sexism that existed outside its…

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Review of Respect (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 12 Sep 2021

Despite top-notch period production design and a couple of convincing studio workout sequences (I was reminded of the brilliant Love & Mercy…

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Review of The Eyes of Tammy Faye (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 12 Sep 2021

The movie, with its numbing overload of pastels and prayer, is too tonally uncertain to yield any fun…

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Review of Julia (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 12 Sep 2021

The last act almost feels like the directors were doing their best to talk about those things that would have either slowed down and complicated…

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Review of The Motorcycle Diaries (2004)

By Filipeneto (856) on 12 Sep 2021

I decided to watch this film with some fear of finding just one piece of socialist or communist propaganda…

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Review of The Eyes of Tammy Faye (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Sep 2021

Comes drawn in bold, broad strokes — a fond treatment of a flawed but fascinating American icon whose revelations feel mostly cosmetic in the end…

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Review of The Starling (2021)

By Guy Lodge (731) for Variety (12,700) on 12 Sep 2021

Suffice it to say that The Starling’s emotional arcs are as narratively complete as they are psychologically dashed-off…

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Review of Dune (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 12 Sep 2021

Being the hero of the story has never looked so poisoned, and that alone is thrilling enough to hope Villeneuve gets to make part two of this…

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Review of The Eyes of Tammy Faye (2021)

By Kate Erbland (681) for IndieWire (3,631) on 12 Sep 2021

For better or worse, we’re on Tammy Faye’s side, but the film often embraces the worst bits of a complicated story in order to make Tammy…

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Review of The Starling (2021)

By Kate Erbland (681) for IndieWire (3,631) on 12 Sep 2021

While the film attempts to thread a tricky needle between absolute drama and wacky comedy — dramedy…

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