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Review of Hallelujah: Leonard Cohen, a Journey, a Song (2022)

By Jason Bailey (832) for The Playlist (3,871) on 14 Sep 2021

Gellar and Goldfine manage the tone expertly, inserting little jolts of humor to keep things from getting too reverent…

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Review of Encounter (2021)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 14 Sep 2021

It’s a surprisingly meaty work that works on several levels at once…

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Review of Together Together (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 14 Sep 2021

Together Together suffers a little from being too polite, as a comedy it lacks snarl, and as a drama it lacks, well, event…

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Review of Encounter (2021)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 14 Sep 2021

It’s a surprisingly meaty work that works on several levels at once…

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Review of Encounter (2021)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 14 Sep 2021

It’s a surprisingly meaty work that works on several levels at once…

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Review of Encounter (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Sep 2021

Riz Ahmed takes Encounter a long way…

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Review of Encounter (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Sep 2021

Riz Ahmed takes Encounter a long way…

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Review of Encounter (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Sep 2021

Riz Ahmed takes Encounter a long way…

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Review of Prisoners of the Ghostland (2021)

By Mike D'angelo (730) for The A.V. Club (5,644) on 14 Sep 2021

What keeps Ghostland from flatlining is Sono’s gift for delirious spectacle, along with the movie’s tacit acknowledgment that it’s utterly…

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Review of Worth (2021)

By Mauro_Lanari (665) on 14 Sep 2021

(Mauro Lanari) The movie revolves around a formula to compensate victims of 9/11: empathy vs. maths, humanity vs. economics…

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Review of The Seventh Day (2021)

By Mauro_Lanari (665) on 14 Sep 2021

(Mauro Lanari) A B movie that dares to escape the banal horror of The Conjuring saga to return to the unresolved points of the omnipervasiveness…

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Review of The Starling (2021)

By Carla Meyer (580) for San Francisco Chronicle (7,630) on 14 Sep 2021

McCarthy is one of our finest physical comedians. Every moment of physical comedy she performs here is cringey…

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Review of The Forgiven (2022)

By Benjamin Lee (469) for The Guardian (2,969) on 14 Sep 2021

The film’s strange scrappy indefinability is both its blessing and curse…

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Review of Encounter (2021)

By Tomris Laffly (460) for Variety (12,700) on 14 Sep 2021

It’s deceptively simple yet deeply philosophical stuff, channeled by first-rate genre filmmaking…

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Review of Encounter (2021)

By Tomris Laffly (460) for Variety (12,700) on 14 Sep 2021

It’s deceptively simple yet deeply philosophical stuff, channeled by first-rate genre filmmaking…

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Review of Encounter (2021)

By Tomris Laffly (460) for Variety (12,700) on 14 Sep 2021

It’s deceptively simple yet deeply philosophical stuff, channeled by first-rate genre filmmaking…

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Review of The Eyes of Tammy Faye (2021)

By Lindsey Bahr (430) for The Associated Press (882) on 14 Sep 2021

Although “Tammy Faye” may be imperfect, it does succeed in at least one significant way: We’re not just looking at her makeup anymore…

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Review of Live and Let Die (1973)

By Gracjanski (417) on 14 Sep 2021

Another just average Bond movie. This time it shows more humour, but I didnt find them funny, just slapsticks…

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Review of Encounter (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 14 Sep 2021

While the drama gets the wind knocked out of its sails after introducing other characters, Encounter gets in plenty of emotional, nuanced scenes…

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Review of Encounter (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 14 Sep 2021

While the drama gets the wind knocked out of its sails after introducing other characters, Encounter gets in plenty of emotional, nuanced scenes…

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